Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975.
67
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Florence Farr | FF
retired temporarily from the stage in 1897, disappointed at not having received the same recognition as other New Woman actresses (Elizabeth Robins
, for instance). Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 67 |
Occupation | Q. D. Leavis | Working again through the British Council
, Q. D.
and F. R. Leavis
lectured on Austen
, Eliot
, and Yeats
in Rome, Milan, Padua, and Bologna. Singh, G., and Q. D. Leavis. F.R. Leavis: A Literary Biography. Duckworth, 1995. 283-4 |
Occupation | Florence Farr | The lecture proved quite popular, and Clifford's Inn had to turn people away. Over the following years, FF
put on many such readings, performing works by Homer
, Shelley
, Yeats
, Lady Gregory
... |
Occupation | Q. D. Leavis | |
Occupation | Anne Ridler | Anne Bradby (later AR
) put in several years of voluntary work at the Time and Talents Settlement
at Bermondsey, doing little plays and dances and hymns with children from poor homes. She was... |
Occupation | Florence Farr | W. B. Yeats
invited FF
to act as stage manager for the Irish Literary Theatre
in Dublin for its production of The Countess Cathleen the following year. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 102 |
Occupation | Florence Farr | W. B. Yeats
and FF
gave a lecture on Poetry and the Living Voice at Clifford's Inn in Fleet Street: Yeats presented his theory of musical recitation, and then Farr illustrated by chanting a... |
Occupation | Augusta Gregory | The first idea for the Irish Literary Theatre developed as AG
, W. B. Yeats
, and Edward Martyn
were discussing the latter's play Maeve, and asked themselves why it could not be staged... |
Occupation | Edith Craig | The costumes were judged to be a success, and the performance marked a turning point in her theatrical career. She branched into costume design (having formed a company, Edith Craig and Co.
, which was... |
Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
Occupation | John Millington Synge | In September 1905, JMS
, along with Yeats
and Lady Gregory
, became directors of the company. George Russell
and Fred Ryan
were also administrators for the Irish National Theatre Society
. Benson, Eugene. J. M. Synge. Macmillan, 1982. 11-12 Saddlemyer, Ann. “Introduction and Chronology”. The Collected Letters of John Millington Synge, Oxford University Press, 1983, p. ix - xxvi. xxiv Kiely, David M. John Millington Synge: A Biography. Gill and Macmillan, 1994. 156 |
Performance of text | Augusta Gregory | A production of AG
's The Deliverer and Yeats
's The Hour-Glass at the Abbey Theatre
in Dublin was the first to use screens designed by Edward Gordon-Craig
. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. xi Innes, Christopher. Edward Gordon Craig. Cambridge University Press, 1983. 143, 221 |
Performance of text | George Bernard Shaw | John Bull's Other Island, a play about Ireland written by GBS
at the request of W. B. Yeats
, opened at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv |
Performance of text | George Bernard Shaw | Lady Gregory
and W. B. Yeats
produced GBS
's The Shewing-Up of Blanco Posnet: A Sermon in Crude Melodrama at the Abbey Theatre
, Dublin. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxv |
Performance of text | Augusta Gregory | The Unicorn from the Stars, co-written by AG
and W. B. Yeats
, was produced at the Abbey Theatre
, Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. x |
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