Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
W. B. Yeats
-
Standard Name: Yeats, W. B.
Used Form: William Butler Yeats
Used Form: Willie Yeats
WBY
, who began publishing well before the end of the nineteenth century, is regarded as one of the most important twentieth-century poets in English, and one of the most international of Irish writers. He was early involved in the Irish Literary Revival, and wrote early, highly romantic lyrics on Celtic and fairy themes. Later he made poetry out of the search for a poetic language. Some of his later work is affected by his interest in the occult.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
| Occupation | Florence Farr | Annie Horniman
, whom FF
met through the Order of the Golden Dawn
, agreed to back the season financially. Farr succeeded in persuading Yeats
to write a one-act play for her season, and enlisted... |
| Occupation | Maud Gonne | MG
played the heroine in Augusta Gregory
's and Yeats
's Cathleen ni Houlihan in the Irish National Theatre
's production, opening on 2 April 1902. This role made her a symbol of the nation. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/. |
| Occupation | Florence Farr | FF
retired temporarily from the stage in 1897, disappointed at not having received the same recognition as other New Woman actresses (Elizabeth Robins
, for instance). Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 67 |
| Occupation | Q. D. Leavis | Working again through the British Council
, Q. D.
and F. R. Leavis
lectured on Austen
, Eliot
, and Yeats
in Rome, Milan, Padua, and Bologna. Singh, G., and Q. D. Leavis. F.R. Leavis: A Literary Biography. Duckworth, 1995. 283-4 |
| Occupation | Florence Farr | The lecture proved quite popular, and Clifford's Inn had to turn people away. Over the following years, FF
put on many such readings, performing works by Homer
, Shelley
, Yeats
, Lady Gregory
... |
| Occupation | Q. D. Leavis | |
| Occupation | Anne Ridler | Anne Bradby (later AR
) put in several years of voluntary work at the Time and Talents Settlement
at Bermondsey, doing little plays and dances and hymns with children from poor homes. She was... |
| Occupation | Florence Farr | W. B. Yeats
invited FF
to act as stage manager for the Irish Literary Theatre
in Dublin for its production of The Countess Cathleen the following year. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 102 |
| Occupation | Augusta Gregory | The first idea for the Irish Literary Theatre developed as AG
, W. B. Yeats
, and Edward Martyn
were discussing the latter's play Maeve, and asked themselves why it could not be staged... |
| Occupation | Florence Farr | W. B. Yeats
and FF
gave a lecture on Poetry and the Living Voice at Clifford's Inn in Fleet Street: Yeats presented his theory of musical recitation, and then Farr illustrated by chanting a... |
| Performance of text | Augusta Gregory | Cathleen Ni Houlihan, a one-act play co-authored by AG
and W. B. Yeats
, was first performed by the Irish National Dramatic Company
at St Teresa's Hall, Dublin, with Maud Gonne
in the title role. McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525. xxxi, 534 Murphy, James H. “Broken Glass and Batoned Crowds: Cathleen Ni Houlihan and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan ODay, Routledge, 2004, pp. 113-27. 113 |
| Performance of text | Augusta Gregory | AG
's popular comedy about village gossip, Spreading the News, was performed alongside Yeats
's On Baile's Strand and their co-written Cathleen Ni Houlihan for the opening of the Abbey Theatre
in Dublin. McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525. xvii |
| Performance of text | Augusta Gregory | A production of AG
's The Deliverer and Yeats
's The Hour-Glass at the Abbey Theatre
in Dublin was the first to use screens designed by Edward Gordon-Craig
. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. xi Innes, Christopher. Edward Gordon Craig. Cambridge University Press, 1983. 143, 221 |
| Performance of text | George Bernard Shaw | John Bull's Other Island, a play about Ireland written by GBS
at the request of W. B. Yeats
, opened at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv |
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