Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998.
xxiv
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | George Bernard Shaw | GBS
's Man and Superman, a Nietzsche
an romantic comedy, was first publicly presented (without the third act) by the Stage Society
at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv |
Occupation | Florence Farr | FF
retired temporarily from the stage in 1897, disappointed at not having received the same recognition as other New Woman actresses (Elizabeth Robins
, for instance). Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 67 |
Occupation | Edith Craig | EC
, aged eight, first appeared on stage in a walk-on role for a performance of Olivia at the Court Theatre
; her mother, Ellen Terry
, and famous actor Henry Irving
played the leads. Auerbach, Nina. Ellen Terry: Player in Her Time. W.W. Norton, 1987. 181-3 Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998. 38 |
Occupation | Florence Farr | FF
composed the music and led the chorus for Harley Granville-Barker
's production of Euripides
' Hippolytus, translated by Gilbert Murray
and performed at the Court Theatre
. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 111 |
Performance of text | W. B. Yeats | Where There Is Nothing, a play by WBY
, opened at London's Court Theatre
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 10 |
Performance of text | John Galsworthy | JG
's first play, The Silver Box, a critique of bias favoring the rich in the judicial process, opened at the Court Theatre
in London.The play was published in 1910. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 10 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 34 |
Performance of text | George Bernard Shaw | John Bull's Other Island, a play about Ireland written by GBS
at the request of W. B. Yeats
, opened at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv |
Performance of text | George Bernard Shaw | The Court Theatre
presented Major Barbara, a three-act comedy by GBS
in which he pits the ethos of the Salvation Army
against modern industrialism. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. |
Performance of text | George Bernard Shaw | GBS
's medical satire, The Doctor's Dilemma, opened at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxiv-v Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. |
Performance of text | George Bernard Shaw | Press Cuttings, a one-act suffrage play by GBS
, was first performed at a private reception at the Court Theatre
in London. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxv |
Performance of text | Elizabeth Baker | EB
's first play, Chains, had a single matinée performance at the Court Theatre
in London. Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol. 20 , No. 2, 1989, pp. 305-16. 315 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 490 |
Performance of text | Augusta Gregory | AG
's comedy The Bogie Men was first performed by the Abbey Theatre Company
at the Court Theatre
in London. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. xi Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum, 1985. 237 |
Performance of text | Elizabeth Baker | Two one-act plays by EB
, Cupid in Clapham and Miss Tassey, were produced at the Court Theatre
in London. Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol. 20 , No. 2, 1989, pp. 305-16. 315 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 490 |
Performance of text | Augusta Gregory | The Wrens, a political comedy by AG
, had its first production at London's Court Theatre
. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. xi |
Performance of text | Elizabeth Baker | EB
's Partnership, a three-act comedy about business and marriage, opened at the Court Theatre
in London. Weiss, Rudolf. “Versions of Emancipation: The Dramatic World of Elizabeth Baker”. Sprachkunst, Vol. 20 , No. 2, 1989, pp. 305-16. 315 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 490 |
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