O’Brien, Kate. My Ireland. B. T. Batsford, 1962.
116-17
Abbey Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Employer | Maya Angelou | In Cairo the African-American journalist David Du Bois
helped MA
to get a job as assistant editor on a new English-language weekly called the Arab Observer (the only non-male, non-Arab, non-Muslim on its staff). In... |
| Family and Intimate relationships | Augusta Gregory | |
| Friends, Associates | John Millington Synge | JMS
's major supporters in his dramatic career were William Butler Yeats
and Augusta, Lady Gregory
, who ran the Irish National Theatre
. Other famous literary supporters included G. K. Chesterton
, John Masefield |
| Friends, Associates | Augusta Gregory | Sean O'Casey
submitted his first play to the Abbey
in 1919, and became friendly with AG
in 1924 during the successful Abbey run of his play Juno and the Paycock. He was invited to... |
| Leisure and Society | Kate O'Brien | As a student in Dublin, KOB
eagerly attended the Abbey Theatre
. This was a period between Synge
and O'Casey
, but she delighted in plays by Shaw
, beginning with Man and Superman. |
| Occupation | John Millington Synge | In 1904, A. E. Horniman
, an Englishwoman who admired Yeats's dedication to Irish theatre, paid for the renovation of two buildings on Abbey Street and Marlborough Street, Dublin, and offered them free to... |
| Occupation | Augusta Gregory | With the financial support of Annie Horniman
, AG
and the Irish Literary Theatre
secured a permanent home: the Abbey Theatre
in Dublin. Murphy, James H. “Broken Glass and Batoned Crowds: Cathleen Ni Houlihan and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan ODay, Routledge, 2004, pp. 113-27. 123 |
| Performance of text | John Millington Synge | JMS
's final three-act play, Deirdre of the Sorrows, which he worked and reworked but left unfinished, was staged at the Abbey Theatre
, Dublin. Saddlemyer, Ann. “Introduction and Chronology”. The Collected Letters of John Millington Synge, Oxford University Press, 1983, p. ix - xxvi. xxvi Benson, Eugene. J. M. Synge. Macmillan, 1982. 138 |
| Performance of text | Augusta Gregory | The Abbey Theatre
, Dublin, produced AG
's The Doctor in Spite of Himself, translated from Molière
's Le médecin malgré lui, the first of her Molière translations.. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, 1970, p. v - xiii. x |
| Performance of text | Teresa Deevy | For the first time the Abbey Theatre
in Dublin, persuaded by Lennox Robinson
, put on a production of a play by TD
: The Reapers in three acts. Robinson directed. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/. |
| Performance of text | Teresa Deevy | TD
's second play to open at the Abbey Theatre
in Dublin was her one-act comedy A Disciple. “Playwrights. Teresa Deevy”. The Playwrights Database, 2003. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/. |
| Performance of text | Teresa Deevy | TD
's third play in thirty months premiered at the Abbey Theatre
, Dublin: Temporal Powers, called by Chris Morash
her first major play. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/. The Teresa Deevy Archive. 2014, http://deevy.nuim.ie/. Timeline, Introduction |
| Performance of text | John Millington Synge | He had begun writing this play in the summer of 1902, staying with his mother and relatives at a farmhouse in Tomriland, Wicklow, and by October had shown a version to the Theatre Society... |
| Performance of text | Teresa Deevy | The Abbey Theatre
put on TD
's powerful new one-act play entitled The King of Spain's Daughter. The Teresa Deevy Archive. 2014, http://deevy.nuim.ie/. Timeline McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/. |
| Performance of text | George Bernard Shaw | Lady Gregory
and W. B. Yeats
produced GBS
's The Shewing-Up of Blanco Posnet: A Sermon in Crude Melodrama at the Abbey Theatre
, Dublin. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxv |
Timeline
1905: The Theatre of Ireland was formed as an offshoot...
Building item
1905
The Theatre of Ireland
was formed as an offshoot of the Irish National Dramatic Society
at the Abbey Theatre
, Dublin, because many nationalists believed the theatre group should have a political agenda.
Hartnoll, Phyllis, editor. The Oxford Companion to the Theatre. 4th ed., Oxford University Press, 1983.
1
12 April 1923: The career as a dramatist of Sean O'Casey,...
Writing climate item
12 April 1923
The career as a dramatist of Sean O'Casey
, labourer and IRA
member, took off when his play The Shadow of a Gunman was produced at the Abbey Theatre
, Dublin, which had by...
3 March 1924: Sean O'Casey followed his first success at...
Writing climate item
3 March 1924
Sean O'Casey
followed his first success at the Abbey Theatre
, Dublin, with a play about war entitled Juno and the Paycock.
Tóibín, Colm. “After I am hanged my portrait will be interesting”. London Review of Books, Vol.
38
, No. 7, 31 Mar. 2016, pp. 11-23. 22
August 1925: Sean O'Casey submitted to the Abbey Theatre,...
Writing climate item
August 1925
Sean O'Casey
submitted to the Abbey Theatre
, Dublin, the first and only play to deal with the topic of the Easter Rising of 1916: The Plough and the Stars.
Tóibín, Colm. “After I am hanged my portrait will be interesting”. London Review of Books, Vol.
38
, No. 7, 31 Mar. 2016, pp. 11-23. 22
Texts
No bibliographical results available.