Cable, Mildred, and Francesca French. Something Happened. Hodder and Stoughton, 1933.
110
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Ridler | AR
wrote that the two great influences on her as a poet (because they helped her to find her own voice) were Sir Thomas Wyatt
and W. H. Auden
. Eliot
, too, was inescapable... |
Intertextuality and Influence | Ruth Padel | Having loved and immersed herself in poetry all her life, RP
took a gamble and changed her self-definition from university lecturer in classics to professional writer and poet. Fifteen years later, writing of her own... |
Intertextuality and Influence | Fleur Adcock | She writes here about family and forebears, and about chance encounters and daily events in her own life, further developing her style for the quotidian. Feverish records being out of my mind; / enough to... |
Intertextuality and Influence | Mildred Cable | The first three chapters are devoted to each individual woman, while the fourth describes their coming together into a three-fold cord, which could not easily be broken. Cable, Mildred, and Francesca French. Something Happened. Hodder and Stoughton, 1933. 110 This image refers to a passage in... |
Intertextuality and Influence | Florence Farr | Late in her career FF
published a second novel, The Solemnization of Jacklin: Some Adventures on the Search for Reality, whose heroine gives birth to a mystical child derived from the writing of Yeats
. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe, 1975. 177 D’Arch Smith, Timothy, and Florence Farr. “Introduction”. Egyptian Magic, Aquarian Press, 1982, p. ix - xvii. xvi Litz, A. Walton. “Florence Farr: A ’Transitional’ Woman”. High and Low Moderns: Literature and Culture, 1889-1939, edited by Maria DiBattista and Lucy McDiarmid, Oxford University Press, 1996, pp. 85-106. 86 |
Intertextuality and Influence | Medbh McGuckian | This collection is much concerned with women's experience. MMG
both follows and diverges from W. B. Yeats
in writing prayers for her daughter. |
Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
Intertextuality and Influence | Adrienne Rich | While revolutionising her life and poetic practice, making them woman-centred, Rich continued in dialogue with the words and ideas of male writers. In learning how poetry can root itself in politics she was learning from... |
Intertextuality and Influence | Constance Holme | The title-page quotes W. B. Yeats
: Tread softly, because you tread on my dreams. Holme, Constance. Crump Folk Going Home. Cedric Chivers, 1974. title-page |
Intertextuality and Influence | Katharine Tynan | Yeats
felt that no one could do it [the volume] so well as you, qtd. in Tynan, Katharine. The Middle Years. Constable, 1916. 68 Tynan, Katharine. The Middle Years. Constable, 1916. 68-9 |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Elizabeth Jennings | As a teenager, EJ
read T. S. Eliot
and (as she put it) wrote long poems of sort of vers libre which I imagined were influenced by Eliot, and which were very personal, in fact... |
Intertextuality and Influence | Emily Lawless | Routinely mentioned, albeit in passing, in accounts of Irish literature such as Ernest Augustus Boyd
's Ireland's Literary Renaissance, 1916, EL
has also been anthologized in collections of Irish verse, such as Padraic Collum's... |
Intertextuality and Influence | Eva Mary Bell | Mary finds her life's work in India. Arriving in Delhi is a landmark in her life, as arriving in Baghdad was before. She works with an older woman named Alice Norman, widow of a British... |
Intertextuality and Influence | Naomi Mitchison | The action takes place among Celtic tribes between 58 and 51 BC (with a coda set five years later). It opens in what is now the Auvergne, newly invaded and occupied by the Roman... |
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