Alexander Pope

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Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Mrs E. M. Foster
The novel parodies Germaine de Staël 's Corinne (which had appeared in French in 1807, in English in 1808). Chapters are supplied with epigraphs: some standard choices like Pope and Cowper , but also texts...
Intertextuality and Influence Elizabeth Singer Rowe
Her elegy may have influenced Pope 's Eloisa.
Intertextuality and Influence Elizabeth Cooper
She notes that poets have lived difficult and unappreciated lives, and that many have been forgotten. Quoting a remark by Pope (that time, which has made Chaucer unintelligible, will one day do the same with...
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Eliza Kirkham Mathews
The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft , and its epigraphs to...
Intertextuality and Influence Susanna Watts
The title-page quotes Pope , who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron (The Isles of Greece), Jane Taylor (The Squire's...
Intertextuality and Influence Maria Susanna Cooper
Harriet begins by loving the town better than the country. To Emilia, who prefers the country, she writes: Why Child, the very Thoughts of such a Life stupify me.
Cooper, Maria Susanna. Letters Between Emilia and Harriet. R. and J. Dodsley, 1762.
6
Against her mother's wishes she...
Intertextuality and Influence Susannah Gunning
Delves tells his own story as a boy and youth from the age of thirteen to twenty-two. He is brought up by Owen, the barber-scribe for the illiterate village (whom he supposes to be his...
Intertextuality and Influence Elizabeth Meeke
Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house...
Intertextuality and Influence Edith Sitwell
ES 's governess, Helen Rootham , was a major influence on her intellectual development, since she introduced her to serious poetry, both English and French, making her the heir to two distinct traditions. By the...
Intertextuality and Influence Elizabeth Moody
Personal matters mingle with others of public or topical interest, as EM addresses Joseph Priestley on the inter-relation of matter and spirit, Marie Antoinette on her sufferings before her execution, and Dr Thomas Huet on...
Intertextuality and Influence Elizabeth Boyd
A first prologue addresses Pope , and invokes the ghosts of Shakespeare (The Wonder, as the Glory of the Land) and Dryden (Shakespear's Freind) as mentors to EB 's performance in...
Intertextuality and Influence Mona Caird
Her protagonist, ambiguous and unsympathetic
Heilmann, Ann. New Woman Strategies: Sarah Grand, Olive Schreiner, Mona Caird. Manchester University Press, 2004.
183
public speaker and political agitator Anna Carrington, stands for the spirit of the modern world . . . creedless, searching, restless, ravenous, egotistical, sick and sorry. Anna's protean nature...
Intertextuality and Influence Susanna Watts
At the outset the sisters are faced with the big question about slavery: What can I do for the cause?
Watts, Susanna. The Humming Bird. I. Cockshaw, 1-2.
4
They reply firmly that everybody can do something: boycott sugar and educate others. They...
Intertextuality and Influence Elizabeth Meeke
The story follows its hero's unsurprising metamorphosis: he begins as the socially negligible James Treton, an orphan, assistant in an accoucheurs' and surgeon-apothecaries' practice, and ends as Arthur, Duke of Avon. It opens with nicely...

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