Alexander Pope
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Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | B. M. Croker | The first chapter is has an epigraph from Pope
(A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton
and... |
Intertextuality and Influence | Ann Thicknesse | AT
makes it clear she is no proto-feminist: If women are thought to possess minds less capable of solid reflection than men, they owe this conjecture entirely to their own vanity, and erroneous method of... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Intertextuality and Influence | Mary Herberts | This tale is not continuous, but distributed in sections throughout the book. The romance couples make periodic contact with the Countess Brillante, a woman writer about whom Herbert's attitude is typically protean and hard to... |
Intertextuality and Influence | Ann Wall | This extraordinary narrative of abuse by her father sounds almost incredible, yet its subject-matter is not parallelled by that of any work of contemporary fiction. AW
proves her literary entitlement by quoting Pope
and the... |
Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
Intertextuality and Influence | Margaret Croker | |
Intertextuality and Influence | Elizabeth Hands | The shorter attached poems include On Reading Pope
's Eloiza to Abelard (whose heroine EH
pities but cannot approve), Hands, Elizabeth. The Death of Amnon. Printed for the Author, 1789. 114 |
Intertextuality and Influence | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
Intertextuality and Influence | Frances Seymour Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Virginia Woolf | The new, female Orlando (though his gender has always been subject to hints and dubious suggestions) is essentially unchanged—in identity if not in future. After an interlude among the gipsies, Orlando's new status as an... |
Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
Intertextuality and Influence | Anna Jane Vardill | Her Attic Chest poems have an erudite flavour. She replies to Anacreon
, writes A New Epistle from Sappho
to Phaon, and signs other poems Aulus Gellius
(author of the Latin Attic Nights)... |
Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
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