Alexander Pope
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Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Eliza Kirkham Mathews | The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft
, and its epigraphs to... |
Intertextuality and Influence | Mary Deverell | |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mrs E. M. Foster | The novel parodies Germaine de Staël
's Corinne (which had appeared in French in 1807, in English in 1808). Chapters are supplied with epigraphs: some standard choices like Pope
and Cowper
, but also texts... |
Intertextuality and Influence | Elizabeth Singer Rowe | Her elegy may have influenced Pope
's Eloisa. |
Intertextuality and Influence | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Intertextuality and Influence | Maria Susanna Cooper | Harriet begins by loving the town better than the country. To Emilia, who prefers the country, she writes: Why Child, the very Thoughts of such a Life stupify me. Cooper, Maria Susanna. Letters Between Emilia and Harriet. R. and J. Dodsley, 1762. 6 |
Intertextuality and Influence | Susannah Gunning | Delves tells his own story as a boy and youth from the age of thirteen to twenty-two. He is brought up by Owen, the barber-scribe for the illiterate village (whom he supposes to be his... |
Intertextuality and Influence | Elizabeth Meeke | Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house... |
Intertextuality and Influence | Mona Caird | Her protagonist, ambiguous and unsympathetic Heilmann, Ann. New Woman Strategies: Sarah Grand, Olive Schreiner, Mona Caird. Manchester University Press, 2004. 183 |
Intertextuality and Influence | Susanna Watts | At the outset the sisters are faced with the big question about slavery: What can I do for the cause? Watts, Susanna. The Humming Bird. I. Cockshaw, 1-2. 4 |
Intertextuality and Influence | Elizabeth Meeke | The story follows its hero's unsurprising metamorphosis: he begins as the socially negligible James Treton, an orphan, assistant in an accoucheurs' and surgeon-apothecaries' practice, and ends as Arthur, Duke of Avon. It opens with nicely... |
Intertextuality and Influence | Edith Sitwell | ES
's governess, Helen Rootham
, was a major influence on her intellectual development, since she introduced her to serious poetry, both English and French, making her the heir to two distinct traditions. By the... |
Intertextuality and Influence | Elizabeth Boyd | A first prologue addresses Pope
, and invokes the ghosts of Shakespeare
(The Wonder, as the Glory of the Land) and Dryden
(Shakespear's Freind) as mentors to EB
's performance in... |
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Texts
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