Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Henrietta Battier
She hoped to get a volume of her collected poems published while she was in London in 1784, and enlisted the aid of Samuel Johnson. Johnson offered positive encouragement (assuring her he had often been...
Intertextuality and Influence Mary Masters
The poem here entitled The Vanity of Human Life must have been at least known to Johnson long before he wrote his own Vanity of Human Wishes, 1749. Clemene's Character aroused the ire of...
Intertextuality and Influence Mary Hays
Among the book's contents are poems and fiction (including dream visions and an Oriental tale. Titles like Cleora, or the Misery Attending Unsuitable Connections and Josepha, or pernicious Effects of early Indulgence foreground Hays's didactic...
Intertextuality and Influence Elizabeth Carter
The reviewers of this collection were appreciative; the Critical's high praise included, however, heavy emphasis on gender.
Critical Review. W. Simpkin and R. Marshall, 5 series.
12 (1762): 180-3
This monthly number of the Critical appeared with its date (1762) misprinted as 1761...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Jane Austen
She applies to her friend a remark about Samuel Johnson from Boswell 's Life: that her death left no-one living who resembled her.
Austen, Jane. Minor Works. Editor Chapman, Robert William, Revised, Oxford University Press, 1965.
440-2
Intertextuality and Influence Harriet Lee
The preface says that a woman, Precluded, by Sex, from the deep Observation of Life, which gives Strength to Character, feels inevitable Apprehensions . . . on making a first Effort in the Drama.
Lee, Harriet. The New Peerage. G. G. J. and J. Robinson, 1787.
prelims
Intertextuality and Influence Jane Collier
Johnson incorporated three quotations from the Art of Tormenting in his Dictionary—a marker of deeply the book impressed him.
Brewer, Charlotte. “A Goose Quill or a Ganders?: Female Writers in Johnsons Dictionary”. Samuel Johnson: The Arc of the Pendulum Dictionary, edited by Freya Johnston and Lynda Mugglestone, Oxford University Press, 2012, pp. 120-39.
124, 129
Intertextuality and Influence Charlotte Nooth
The governess Matilda regrets that there are no professions for women; nothing is to be done but by the sacrifice of our rank in society.
Nooth, Charlotte. Eglantine; or, The Family of Fortescue. Valpy, 1816, 2 vols.
1: 199
She calls herself quite a detached being, alone...
Intertextuality and Influence Anne Grant
As well as her central allusion to Barbauld, AG claims authority for her work by quoting Milton on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence Beatrix Potter
Of the first three stories, Carrier's Bob tells how a waggoner's terrier, Bob, is neglected and ill-treated by the widow after his master's death; The Mole Catcher's Burying describes how, as a village mole-catcher lies...
Intertextuality and Influence Frances Jacson
The title-page quotes Samuel Johnson on the limits to rights held by parents over children. The story has a Jacobin flavour, and reads like a reversal of the circumstances of Plain Sense. It opens...
Intertextuality and Influence Harriet Lee
In this last volume HL provides a general frame centred on the lodging-house of Mrs Dixon (a lodging-house whose history has been written, as Samuel Johnson 's Rambler 161 advises). She opens with a dialogue...
Intertextuality and Influence Josephine Tey
The book is dedicated to those who may not prefer Scotland to Truth, but certainly prefer Scotland to enquiry
Tey, Josephine. Claverhouse. Collins, 1937.
prelims
in a submerged allusion to Samuel Johnson 's pronouncement: A Scotchman must be a...
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...

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