Samuel Johnson
-
Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Frances Jacson | |
| Intertextuality and Influence | Jane Austen | She applies to her friend a remark about Samuel Johnson
from Boswell
's Life: that her death left no-one living who resembled her. Austen, Jane. Minor Works. Editor Chapman, Robert William, Revised, Oxford University Press, 1965. 440-2 |
| Intertextuality and Influence | Jane Collier | Johnson
incorporated three quotations from the Art of Tormenting in his Dictionary—a marker of deeply the book impressed him. Brewer, Charlotte. “A Goose Quill or a Ganders?: Female Writers in Johnsons Dictionary”. Samuel Johnson: The Arc of the Pendulum Dictionary edited by Freya Johnston and Lynda Mugglestone, Oxford University Press, 2012, pp. 120-39. 124, 129 |
| Intertextuality and Influence | Henrietta Battier | She hoped to get a volume of her collected poems published while she was in London in 1784, and enlisted the aid of Samuel Johnson. Johnson
offered positive encouragement (assuring her he had often been... |
| Intertextuality and Influence | Mary Hays | Among the book's contents are poems and fiction (including dream visions and an Oriental tale. Titles like Cleora, or the Misery Attending Unsuitable Connections and Josepha, or pernicious Effects of early Indulgence foreground Hays's didactic... |
| Intertextuality and Influence | Beatrix Potter | Of the first three stories, Carrier's Bob tells how a waggoner's terrier, Bob, is neglected and ill-treated by the widow after his master's death; The Mole Catcher's Burying describes how, as a village mole-catcher lies... |
| Intertextuality and Influence | Frances Jacson | The title-page quotes Samuel Johnson
on the limits to rights held by parents over children. The story has a Jacobin flavour, and reads like a reversal of the circumstances of Plain Sense. It opens... |
| Intertextuality and Influence | Josephine Tey | The book is dedicated to those who may not prefer Scotland to Truth, but certainly prefer Scotland to enquiry— Tey, Josephine. Claverhouse. Collins, 1937. prelims |
| Intertextuality and Influence | Ellis Cornelia Knight | In her introduction toDinarbas, ECK
indicates that her idea for the work arose from Sir John Hawkins
's claim that Samuel Johnson
had intended to write a sequel to Rasselas, in which... |
| Intertextuality and Influence | Anne Grant | |
| Intertextuality and Influence | Mrs Martin | Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding
or Laurence Sterne
(the latter, indeed, is mentioned by name). MM
hopes her reader... |
| Intertextuality and Influence | Elizabeth Cooper | EC
's book was generally respected. It was praised by Mary Scott
, and had a significant impact on Thomas Chatterton Bronson, Bertrand H. “Chattertoniana”. Modern Language Quarterly, Vol. 11 , 1950, pp. 417-24. 417 |
| Intertextuality and Influence | Sarah Murray | The Guide to Scotland opens with instructions: Provide yourself with a strong roomy carriage, and have the springs well corded; have also a stop-pole and strong chain to the chaise. Take with you linch-pins, and... |
| Intertextuality and Influence | Sarah Green | |
| Intertextuality and Influence | Frances Burney | In April 1780 the author's cousin Edward Francisco Burney
illustrated Evelina in three stained drawings. The one for volume two shows the heroine in her mood of depression after returning home from her visit... |
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