Women’s Writing in the British Isles from the Beginnings to the Present
Samuel Johnson
-
Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
In London HB
met many leading figures in cultural and intellectual life. She visited and confided in Samuel Johnson
, and developed a warm admiration for him.
Battier, Henrietta. The Protected Fugitives. James Porter, 1791, http://Bodleian: 280 i 105.
Georgiana did not restrict herself to this circle. She made some eminent older friends in the world of literature and culture, like Mary Delany
, Elizabeth Montagu
, and Samuel Johnson
. From 1777 she...
Friends, Associates
Ellis Cornelia Knight
During her childhood, ECK
associated with a variety of celebrated people through her family connections. Her mother was a close friend of painter and writer Frances Reynolds
(sister to the more famous painter Sir Joshua Reynolds
Instructor
David Garrick
He attended the tiny, unsuccessful school on which Samuel Johnson
lost his wife's money.
Intertextuality and Influence
Henrietta Battier
She hoped to get a volume of her collected poems published while she was in London in 1784, and enlisted the aid of Samuel Johnson. Johnson
offered positive encouragement (assuring her he had often been...
Intertextuality and Influence
Mary Hays
Among the book's contents are poems and fiction (including dream visions and an Oriental tale. Titles like Cleora, or the Misery Attending Unsuitable Connections and Josepha, or pernicious Effects of early Indulgence foreground Hays's didactic...
Intertextuality and Influence
Elizabeth Carter
The reviewers of this collection were appreciative; the Critical's high praise included, however, heavy emphasis on gender.
Critical Review. W. Simpkin and R. Marshall, 5 series.
12 (1762): 180-3
This monthly number of the Critical appeared with its date (1762) misprinted as 1761...
Intertextuality and Influence
Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto
(in the original), Shakespeare
, Drayton
, Milton
, Pope
(on the title-page), Young
, Gray
, Collins
, Johnson
Intertextuality and Influence
Jane Austen
She applies to her friend a remark about Samuel Johnson
from Boswell
's Life: that her death left no-one living who resembled her.
Austen, Jane. Minor Works. Editor Chapman, Robert William, Revised, Oxford University Press, 1965.
440-2
Intertextuality and Influence
Jane Collier
Johnson
incorporated three quotations from the Art of Tormenting in his Dictionary—a marker of deeply the book impressed him.
Brewer, Charlotte. “A Goose Quill or a Ganders?: Female Writers in Johnsons Dictionary”. Samuel Johnson: The Arc of the Pendulum Dictionary edited by Freya Johnston and Lynda Mugglestone, Oxford University Press, 2012, pp. 120-39.
124, 129
Intertextuality and Influence
Anne Grant
As well as her central allusion to Barbauld, AG
claims authority for her work by quoting Milton
on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence
Mrs Martin
Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding
or Laurence Sterne
(the latter, indeed, is mentioned by name). MM
hopes her reader...