Elizabeth Carter

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Standard Name: Carter, Elizabeth
Birth Name: Elizabeth Carter
Nickname: Mrs Carter
Used Form: A Lady
EC was renowned during a long span of the later eighteenth century as a scholar and translator from several languages and the most seriously learned among the Bluestockings. Her English version of Epictetus was still current into the twentieth century. She was also a poet and a delightful letter-writer.
Portrait of Elizabeth Carter as Minerva, the Greek goddess of wisdom, by John Fayram in probably the late 1730s. She wears gilded metal armour over a white loose shirt and under a blue sash, and a helmet with feathery plume. She is holding in one hand a round shield, in the other a book bound in red, with gilt decoration, which (as Edward Cave revealed in writing her praise) is a copy of Plato. National Portrait Gallery.

Connections

Connections Author name Excerpt
Textual Features Elizabeth Graeme Ferguson
This collection of personal writing includes occasional poems, pastorals, burlesques, ambitious longer pieces, and The Choice of Life (which precedes Johnson 's Rasselas). Notes and an index which she later supplied to this volume...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Features Lady Mary Wortley Montagu
Epictetus was both a slave and a cripple. His philosophy, which insisted on the mind's capacity to rise above adverse circumstances, held considerable appeal for women writers of this period. (The best-known translation was that...
Textual Features Hester Mulso Chapone
When Richardson offered her a list of examples of filial disobedience, she replied that no doubt an equally heinous list could be produced of parental oppression. With Carter she mulled over religious and literary questions...
Textual Features Elizabeth Cobbold
This collection features poetry by women such as Anna Maria Porter , Amelia Opie , Lucy Aikin , Elizabeth Carter , Anna Letitia Barbauld , Anne Hunter , Mary RobinsonCharlotte Smith , and EC herself.
Textual Features Jane Johnson
The poem is headed with a quotation from Psalm 19: The Heavens declare the Glory of God, & the Firmament showeth his handy work—the same psalm which Addison had famously rendered as The spacious...
Textual Production Catherine Talbot
Following the renunciation of her love for George Berkeley , it seems that CT wrote a series of at least ten poems of passionate feeling.
Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon, 1990.
117
She, or more probably Elizabeth Carter acting after her...
Textual Production Mariana Starke
Her preface says the translation was first suggested to her by the dowager Lady Spencer (mother of Georgiana, Duchess of Devonshire ), whom she met in Italy; Lady Spencer also persuaded to her to publish...
Textual Production Sarah Dixon
SD 's subscription for her book of poems must have been nearly complete when Elizabeth Carter wrote to Edward Cave asking for any leftover copies of the proposals.
Messenger, Ann. Pastoral Tradition and the Female Talent: Studies in Augustan Poetry. AMS Press, 2001.
236 n6
Textual Production Susanna Wright
Another of her longer poems, The Grove, is a politically complex, proto-environmentalist statement about the destruction of forest. This fits into a mini-tradition of women's poetry about the cutting down of trees, a topic...
Textual Production Virginia Woolf
By 1912 VW had published on Margaret Cavendish (as Duchess of Newcastle), Ann, Lady Fanshawe , Elizabeth Carter , Anna Seward , Elizabeth, Lady Holland , Maria Edgeworth , Lady Hester Stanhope , theBrontë
Textual Production Elizabeth Barrett Browning
For a young woman who had never attended university (as she of course could not at this time) to offer a translation from a classical language was both courageous and confident.
It was a long...
Textual Production Charlotte Smith
It was small but handsome. Thomas Stothard did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children...
Textual Production Catherine Talbot
Elizabeth Carter posthumously and anonymously published the first volume by CT to see the light: Reflections on the Seven Days of the Week.
Critical Review. W. Simpkin and R. Marshall, 5 series.
29 (1770): 478
Textual Production Susanna Centlivre
The writer of the preface takes up the cudgels for Centlivre in feminist style, dwelling on the obstacles she faced as a woman, and invoking the achievements of other women like Anne Dacier , May Drummond

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