Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 421
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Thomas | With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas
entered the controversy swirling around Byron
, again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 421 |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Textual Production | Barbarina Brand, Baroness Dacre | In March 1819 Joanna Baillie
had described her as Still hankering after the Drama, but fearful & diffident of herself. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 1191 |
Textual Production | Edna O'Brien | In Byron
in Love, EOB
presented a vivid gallery of the poet's lovers, but more especially his relationships with his wife, Isabella Milbanke
, and his half-sister, Augusta Leigh
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Theme or Topic Treated in Text | Muriel Jaeger | She begins this book with a method not unlike that of Experimental Lives from Cato to George Sand. Her first chapter, Pioneers in Conversion, centres its topic on individuals, relating the sudden transformation... |
Theme or Topic Treated in Text | Annie Tinsley | The epigraph to the volume is from Moore
's Loves of the Angels. AT
was assumed to be influenced by Felicia Hemans
, but denied that this was the case. The ruin and misery... |
Theme or Topic Treated in Text | Jane Francesca, Lady Wilde | Her essay The Poet as Teacher calls for universal education on the grounds that it is ignorance that degrades, not poverty or toil. Jane Francesca, Lady Wilde,. Social Studies. Ward and Downey. 274 |
Theme or Topic Treated in Text | Caroline Bowles | When Lady Gertrude leaves for the London season, Fanny's parents note a change in their daughter. Dame Fairfield complains that Fanny goes moping and peaking about, and don't set to nothin' with a good heart... |
Theme or Topic Treated in Text | Elizabeth Cobbold | This volume includes Petrarchan sonnets, landscape description in blank verse, quatrain lyrics, personal poems, ballads, patriotic odes, a prose narrative, prologues, epilogues, and a poem on the death of Byron
. EC
's strengths are... |
Theme or Topic Treated in Text | Harriet Martineau | Among her subjects are Lady Byron
(an occasion for HM
to deplore Byron
's conduct and influence), Mary Berry
, Mary Russell Mitford
, Charlotte Brontë
, Jane Marcet
, Amelia Opie
, Mary Somerville |
Theme or Topic Treated in Text | Harriette Wilson | The Memoirs' opening moves smoothly from the famous shock of the first sentence into a tone of judicious complexity: I shall not say why and how I became, at the age of fifteen, the... |
Theme or Topic Treated in Text | Robert Southey | The poem represented the dead monarch as vindicated by the divine power after his death. It referred to Byron
, without naming him, as the leader of those devilish, subversive writers whose works breathe the... |
Theme or Topic Treated in Text | Mary Augusta Ward | Lady Caroline's (here Kitty Ashe's) obsession, Byron
, is thinly disguised as the poet Geoffrey Cliffe. Despite it inspiration in this nearly one-hundred-old relationship, the novel's setting is contemporary and Kitty is a fast cigarette-smoking... |
Theme or Topic Treated in Text | Marguerite Gardiner, Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
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