Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114.
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Connections Sort descending | Author name | Excerpt |
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Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Textual Production | Marguerite Gardiner Countess of Blessington | Conversations of Lord Byron
with the Countess of Blessington appeared in volume form. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 3 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press, 1997. 149 |
Textual Production | Percy Bysshe Shelley | PBS
published his long poem Queen Mab, following quickly on Byron
's The Giaour. Granniss, Ruth S. A Descriptive Catalogue. The Grolier Club, 1923. 28-9 |
Textual Production | Medora Gordon Byron | Miss Byron, author of the English-woman (who was much later labelled as MGB
), published a second novel, Hours of Affluence, and Days of Indigence. The title might bear some allusion to Byron
's... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Medora Gordon Byron | It was published by Minerva
in three volumes, with mention of the two previous novels published as a Modern Antique, and an &c. suggesting a larger output. The title-page bears an aphorism, Love is... |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter, 1818. title-page |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press, 1994. 368 Adams, John R. Harriet Beecher Stowe. Twayne, 1989. 88 |
Textual Production | Marguerite Gardiner Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | Mary Russell Mitford | MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari. Quarterly Review. J. Murray. Quarterly 35 (1927): 317 |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne, 1979. 142 |
Textual Production | Marguerite Gardiner Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 7 |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
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