qtd. in
Athenæum. J. Lection.
1428 (1855): 290
Connections Sort descending | Author name | Excerpt |
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Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Textual Features | A. Mary F. Robinson | In her preface she claims the ballad and other popular poetic forms as the especial territory of women writers. Although her poems, says this preface, lack the splendour of Byron
or Hugo
, or the... |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Textual Features | Harriet Downing | In the title poem a recluse offers shelter in his cave to a lady who gives birth and then dies, leaving her child to be educated only by nature. The protagonist of The Dying Maniac... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Fanny Kemble | Of the hundred lyrics and sonnets, several cover topics of romance: My soul grows faint, my veins run liquid flame, / And my bewildered spirit seems to swim / In eddying whirls of passion, dizzily... |
Textual Features | Augusta Webster | Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted... |
Textual Features | Mary Anne Duffus Hardy | The business of these poems is to heroicize the British soldiers fighting in Crimea, in such lines as They fell, but died not—heroes cannot die. qtd. in Athenæum. J. Lection. 1428 (1855): 290 |
Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Medora Gordon Byron | Miss Byron, author of the English-woman (who was much later labelled as MGB
), published a second novel, Hours of Affluence, and Days of Indigence. The title might bear some allusion to Byron
's... |
Textual Production | Marguerite Gardiner Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | Medora Gordon Byron | It was published by Minerva
in three volumes, with mention of the two previous novels published as a Modern Antique, and an &c. suggesting a larger output. The title-page bears an aphorism, Love is... |
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