Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter, 1818.
title-page
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter, 1818. title-page |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press, 1994. 368 Adams, John R. Harriet Beecher Stowe. Twayne, 1989. 88 |
Textual Production | Marguerite Gardiner Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | Mary Russell Mitford | MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari. Quarterly Review. J. Murray. Quarterly 35 (1927): 317 |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne, 1979. 142 |
Textual Production | Marguerite Gardiner Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 7 |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Anne Hunter | AH
left four manuscript volumes of poetry, three now at the Royal College of Surgeons
and one at Aberdeen University
. Hunter, Anne. The Life and Poems of Anne Hunter, Haydn’s Tuneful Voice. Editor Grigson, Caroline, Liverpool University Press, 2009. xviii |
Textual Production | Caroline Norton | CN
published The Undying One, and Other Poems, with epigraphs taken from Byron
(again, this time from Childe Harold) and La Fontaine
. Athenæum. J. Lection. 137 (1830): 353 |
Textual Production | Barbarina Brand Baroness Dacre | In March 1819 Joanna Baillie
had described her as Still hankering after the Drama, but fearful & diffident of herself. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 2: 1191 |
Textual Production | Caroline Norton | She had begun writing the title poem (pages 3-77 when printed) while at boarding school. She dedicated the volume to Lord Holland
and quoted Byron
on the title page. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby, 1995. 63-4 |
Textual Production | Frances Trollope | |
Textual Production | Mary Shelley | MS
was the only one of the group to rise to Byron
's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817. Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, 1994, pp. 11-43. 33 |
Textual Production | Harriette Wilson | HW
had been writing lively, idiosyncratic letters all her life (of which those to Byron
, for instance, survive). Her Memoirs were a venture not only in publishing but also in blackmail. Having completed enough... |
Textual Production | Margiad Evans | ME
did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron
, a short study of John Clare
, a few stories... |
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