Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114.
65
Connections Sort descending | Author name | Excerpt |
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Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Textual Features | Elizabeth Barrett Browning | According to its editor Julia Markus
, the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal... |
Textual Features | Harriet Beecher Stowe | She also published articles in the Atlantic Monthly between 1857 and 1879. She wrote of slavery and emancipation, and of domestic topics. Her Sojourner Truth
. The Libyan Sybil appeared in April 1963, and The... |
Textual Features | Joanna Baillie | The verse contents of this collection include a poem probably written thirty-six years before, Recollections of a Dear and Steady Friend, Anne Isabella nee Milbanke (generally known as Annabella)
, widow of the poet... |
Textual Features | Una Marson | |
Textual Features | Marguerite Gardiner Countess of Blessington | On Byron
's death she wrote an elegy in twelve couplets. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 65 |
Textual Features | Mary Ann Browne | Her title poem is rich and dignified, written in Spenser
ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves... |
Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Features | Elizabeth Cobbold | EC
employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron |
Textual Features | Mary Berry | Like most of her correspondents, Berry is somewhat wordy, given to tiptoeing round the nuances of sentiment. Her letters to Walpole, like his to her, are divided between professions of affection and the endless chronicle... |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Textual Features | Caroline Bowles | The poem, called a burlesque epic qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 81 qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 89 |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
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