qtd. in
Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998.
81
Connections Sort descending | Author name | Excerpt |
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Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Features | Mary Berry | Like most of her correspondents, Berry is somewhat wordy, given to tiptoeing round the nuances of sentiment. Her letters to Walpole, like his to her, are divided between professions of affection and the endless chronicle... |
Textual Features | Elizabeth Cobbold | EC
employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Textual Features | Caroline Bowles | The poem, called a burlesque epic qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 81 qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 89 |
Textual Features | Una Marson | |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Textual Features | A. Mary F. Robinson | In her preface she claims the ballad and other popular poetic forms as the especial territory of women writers. Although her poems, says this preface, lack the splendour of Byron
or Hugo
, or the... |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Textual Features | Mary Anne Duffus Hardy | The business of these poems is to heroicize the British soldiers fighting in Crimea, in such lines as They fell, but died not—heroes cannot die. qtd. in Athenæum. J. Lection. 1428 (1855): 290 |
Textual Features | Harriet Downing | In the title poem a recluse offers shelter in his cave to a lady who gives birth and then dies, leaving her child to be educated only by nature. The protagonist of The Dying Maniac... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Fanny Kemble | Of the hundred lyrics and sonnets, several cover topics of romance: My soul grows faint, my veins run liquid flame, / And my bewildered spirit seems to swim / In eddying whirls of passion, dizzily... |
Textual Features | Augusta Webster | Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted... |
Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
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