The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
4: 947, 979
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | David Garrick | Garrick
succeeded in a reform which put an end to on-stage audience seating at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 947, 979 |
| Occupation | David Garrick | The Drury Lane
theatre audience demonstrated its consumer power by compelling Garrick
to alter the regular opening time. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1347, 1356 |
| Occupation | Mary Robinson | MR
made her stage debut at Drury Lane
as Juliet to William Brereton
's Romeo; she was an instantaneous success. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, 2000, pp. 19-64. 26, 63 Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen, 1994. 87-9 |
| Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 5-6 |
| Performance of text | Aphra Behn | Charles Gildon
had a manuscript of this play. The success of Southerne
's adaptation of Oroonoko probably inspired him to get The Younger Brother staged; he may well have revised it first. Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press, 1997. 336-7 |
| Performance of text | Mary Robinson | MR
's comic opera The Lucky Escape opened at Drury Lane
, given for her benefit at its first appearance. Pascoe differs from the London Stage and from Mann and Garnier as to the exact date. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, 2000, pp. 19-64. 59 Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 397 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 167 |
| Performance of text | Marianne Chambers | MC
's five-act comedy The School for Friends opened at London's Drury Lane
. James Mason
published a comedy of the same title in the second volume of his Literary Miscellanies, 1809. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 383 |
| Performance of text | Mary Berry | MB
's comedy The Fashionable Friends reached the public stage at Drury Lane Theatre
, after a private performance at Strawberry Hill (November 1801). It ran for three nights, just enough to achieve a benefit... |
| Performance of text | Mary Robinson | MR
's afterpiece or satiric comedy Nobody opened at Drury Lane
, with prologue and epilogue by herself. Robinson, Mary. “Introduction”. Perdita: The Memoirs of Mary Robinson, edited by Moses Joseph Levy, Peter Owen, 1994. xiii The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1707 |
| Performance of text | Marianne Chambers | MC
's second five-act play, Ourselves, A Comedy, opened at the Lyceum
in London with actors from the Theatre Royal
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 383 Lamb, Charles, 1775 - 1834, and Mary, 1764 - 1847 Lamb. The Letters of Charles and Mary Anne Lamb. Editor Marrs, Edwin J., Jr, Cornell University Press, 1975, 3 vols. 3: 73n5 |
| Performance of text | Charlotte Lennox | CL
's comedy Old City Manners (an adaptation from Eastward Hoe! by Ben Jonson
and others) opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1928 |
| Performance of text | Elizabeth Griffith | EG
's comedy The Platonic Wife (based on one of Marmontel
's tales, L'heureux divorce) opened at Drury Lane
. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, 1997, p. vii - xviii. xxx Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, 1991, pp. 120-42. 126 |
| Performance of text | Elizabeth Griffith | EG
's comedy The School for Rakes opened at Drury Lane
; it was adapted from Eugénie by P. A. Caron de Beaumarchais
, and had a highly satisfactory run. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, 1997, p. vii - xviii. xxx-xxxi |
| Performance of text | Georgiana Cavendish Duchess of Devonshire | An epilogue she wrote for Joanna Baillie
's tragedy De Montfort was spoken by Sarah Siddons
when the play opened at Drury Lane Theatre
, London, on 29 April 1800. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins, 1998. 331 |
| Performance of text | Jane Porter | JP
's tragedy Switzerland (which has been sometimes wrongly attributed to her sister Anna Maria
), was performed at Drury Lane
, only to be summarily withdrawn after its single, disastrous performance. Archival evidence is... |
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