Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol.
55
, pp. 367-78. 368
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sarah Stickney Ellis | Sales were disappointing. Today OCLC lists only a single copy as extant, in the New York Public Library
. In fact the British Library
also has a copy, in which a manuscript note attributes the... |
Textual Production | Virginia Woolf | VW
left a mass of manuscript material, now mostly housed at the University of Sussex
in Brighton (Monks House Papers) and in the Berg Collection in the New York Public Library
. Both these collections... |
Textual Production | Valentine Ackland | Not until 1998 were any of VA
's letters published. In that year about a third of the huge correspondence exchanged between her and her longtime lover was published as I'll Stand By You: Selected... |
Textual Production | Julia Pardoe | The Berg Collection of the New York Public Library
holds a series of 74 holograph letters written by JP
to Sir John Philippart
between 1841 and 1860. Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol. 55 , pp. 367-78. 368 |
Textual Production | Kate Greenaway | This book was first published in three or four distinct editions, variously bound. An unauthorized edition appeared in the USA the next year, from McLoughlin Brothers
, who pirated other publications by KG
... |
Textual Production | Jane Porter | When the curtain rose Kean
(possibly drunk) appeared to have lost his memory, and his power of action.—The other Performers became disconcerted in their parts . . . the whole became a chaos of uproar... |
Textual Production | Dorothy Richardson | The majority of DR
's papers are held by Yale University
's Beinecke Library
. Smaller collections are housed at the British Library
, the New York Public Library
, the University of Texas at Austin |
Textual Production | Anna Atkins | It appeared before Fox Talbot
's The Pencil of Nature, 1844-6, which does not therefore, technically, deserve being called, as it sometimes is, the first photobook. But his work, unlike Atkins's, was commercially... |
Textual Production | Harriett Jay | The two arrived in New York with the completed work, but the managers rejected it. Buchanan decided to stage it himself at the Chestnut Street Theatre
in Philadelphia, where it first appeared on 30... |
Textual Production | Berta Ruck | This novel was revised for volume publication from its serial form in the magazine Home Chat. Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. |
Textual Production | W. H. Auden | The major collections of WHA
's papers are at the New York Public Library
and the Harry Ransom Humanities Research Center
. |
Textual Production | Harriett Jay | A prompt-book for a New York performance of 1907 survives at the New York Public Library
. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | May Sinclair | MS
destroyed many of her papers. What she left was carefully saved by her housekeeper and companion Florence Bartrop
, and is lodged at the University of Pennsylvania
. Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press. 8-9 |
Textual Production | Sheila Kaye-Smith | She began writing it after Sussex Gorse, but the pressure of the war caused her to set it aside until she had finished The Challenge to Sirius (which George
found tired and flat) George, Walter Lionel. A Novelist on Novels. W. Collins Sons. 113 |
Textual Production | Edith Sitwell | A large collection of Sitwell papers, stemming from all three siblings, is held at the University of Texas
at Austin. There are deposits of her letters at the University of Tulsa
, Georgetown University |
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