Bodleian Library

MW 's Five Plays (confusingly titled just Plays on the paperback cover) reached print, published by Methuen .

CADS dedicated her novel Wastralls (the first in her Cornish Tales series) to Alice Tippett , to whose kind help on many a Sunday afternoon I owe the West-Country talk.

She quoted Lyttelton on the title-page (which is dated 1810), and dedicated the book (as her first) to her mother. She also supplied it with a prefatory To the Reader and a Conclusion. The...

Critic Paul Douglass says this manuscript is missing from among the Byron papers in the Bodleian Library .

EB 's papers survive among various collections in the Bodleian and British Libraries .

The Bodleian Library catalogue lists John Buchan's name alone for this work. He re-used its title for an entirely different solo production, a much-reprinted novel, in 1936.

LMS issued another chapbook-style booklet, Return to Song, and Other Poems, through a small London publisher, Williams and Norgate ; she dedicated it to Maud Baldwin Woodcock .

EGB contributed a chapter, The Women's Suffrage Movement Among Trade Unionists, to the collection The Case for Women's Suffrage, edited by Frederick John Shaw (as Brougham Villiers) .

In The Mouth of the SwordCecily Mackworth wrote about her experiences in travelling around the war-ravaged Middle East, and about the birth of the state of Israel.

In 2008 the British Library and the Bodleian catalogues still listed the three Wainwright novels under this name, with no mention of Allatini's real one.

PF published a novel of London theatre life, Ask Me No More: its three books are set in the 1930s, 40s, and 50s.

ASS published A Maid of the Isles, A Romance of Skye.

MR , as the author of Mademoiselle Mori, published her last novel (though not her last book), Niccolina Niccolini.

SH published The Woman in Black, a novel or novella or ghost story with atmospheric illustrations by John Lawrence , which five years later went on to enjoy immense success as an adaptation for...

Her introduction gives a glimpse into her scholarly command of her subject. She explains the persuasiveness of the historical testimony that Taillefer sang this song before the battle of Hastings in 1066, but how no...