Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, pp. 119-34.
122
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Michèle Roberts | MR
published a novel entitled Impossible Saints; she has called her protagonist my version of St Teresa of Avila
. Dated from Bodleian Library
acquisition stamp. Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, pp. 119-34. 122 |
Textual Production | Susan Tweedsmuir | The Bodleian Library
catalogue lists John Buchan's name alone for this work. He re-used its title for an entirely different solo production, a much-reprinted novel, in 1936. |
Textual Production | Mary Carey | These had been written over a number of years. MC
's own manuscript, formerly owned by the family of the poet Alice Meynell
, is now the property of scholar Germaine Greer
. Healey, R. M. “Interview with Germaine Greer”. Book and Magazine Collector, Vol. 180 , pp. 26-34. 29-30 |
Theme or Topic Treated in Text | Alicia D'Anvers | Another aspect of Oxford presents itself through the hero's bumpkin servant John Blunder, who takes the guided tour. He is full of misapprehensions: that every building he sees is a church; that Queen's College
is... |
Theme or Topic Treated in Text | Alicia D'Anvers | ADA
's immortal Sing-Song / How all th'old Dons were at it Ding-dong D’Anvers, Alicia. The Oxford-Act. Randal Taylor. 9 |
Theme or Topic Treated in Text | Marianne Moore | The editors of The Selected Letters of Marianne Moore see the defining characteristic of these private writings as their vitality, their passionate engagement with the world at large. Moore, Marianne. “Introduction”. The Selected Letters of Marianne Moore, edited by Bonnie Costello et al., Knopf, p. ix - xv. ix |
Theme or Topic Treated in Text | Celia Fiennes | CF
is interested less in appearances than how things work. On her first journey she made this observation of the spire of Salisbury Cathedral: being so high it appeares to us below as sharpe... |
Wealth and Poverty | Elinor James | Thomas James's will, proved in May 1710, did not leave EJ
the library: he intended it to become a public library in its own right, under the title of the Jameson Society. Elinor, however, got... |
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