Royal Academy

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Occupation Anne Carson
In 2012 AC took the chorus part in a staged reading of her own Antigonick (adapted from Sophocles ), 2012. A few years later she took the title role with great fierceness in Tacita Dean...
Occupation Emily Frederick Clark
EFC painted miniatures, which she exhibited at the Royal Academy in 1799. She told the RLF in 1811 that in addition to publishing from an early age she taught drawing.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Archives of the Royal Literary Fund, 1790-1918.
Occupation Sarojini Naidu
Earlier this year she had worked with British professionals in the arts to choose and assemble artefacts for a major exhibition of Indian art at the Royal Academy in London during the coming winter.
Roberts, Cleo. “1947: India, Art and Nationhood”. London Library Magazine, No. 38, pp. 22-5.
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Occupation Emmuska, Baroness Orczy
She had suddenly conceived the ambition of becoming an artist (the only profession open to her, as a girl of good family) when she heard that this was the choice of the cousin with whom...
Reception Joanna Baillie
Charles Landseer (brother of Sir Edwin Landseer ) exhibited at the Royal Academy a painting from JB 's De Monfort; he had already painted Samuel Richardson 's Clarissa.
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
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Residence Elizabeth Strutt
Between 1819 and 1831, ES 's second husband exhibited at the Academy from four different addresses around London: the first, where they stayed longest (for seven years) was 34 Percy Street. He exhibited from...
Textual Features Ella Hepworth Dixon
EHD 's heroine, Mary Erle, struggles to negotiate contemporary notions of femininity, marriage, and motherhood with her own desire to live independently and to pursue her own profession. After her father's death, she faces the...
Textual Features Catharine Amy Dawson Scott
The Headland was strongly influenced by the writing of Dorothy Richardson , whom Dawson Scott had met in Cornwall during the first world war. Its story takes three chapters for three cataclysmic days. The protagonist...
Textual Production Anne Damer
AD began exhibiting her sculpture at the annual Royal Academy show in London; she was a regular contributor to this event until 1818.
Bakewell, Susan. “A Muse on the Move: The Hon. Anne Seymour Damer, from England to Italy (via France, Germany, Spain, and Portugal), 1762-1799”. American Society for Eighteenth-Century Studies (ASECS) Conference, Providence, RI.
Textual Production Anna Mary Howitt
AMH exhibited for the only time at the Royal Academy , with a picture entitled The Castaway, which depicts a fallen woman or prostitute.
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">Punch</span>, and the Royal Academy. Ad Hoc Press.
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Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell.

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