Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Royal Academy
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Anne Carson | |
Occupation | Emily Frederick Clark | EFC
painted miniatures, which she exhibited at the Royal Academy
in 1799. She told the RLF in 1811 that in addition to publishing from an early age she taught drawing. Archives of the Royal Literary Fund, 1790-1918. |
Occupation | Sarojini Naidu | Earlier this year she had worked with British professionals in the arts to choose and assemble artefacts for a major exhibition of Indian art at the Royal Academy
in London during the coming winter. Roberts, Cleo. “1947: India, Art and Nationhood”. London Library Magazine, No. 38, pp. 22-5. 24-5 |
Occupation | Emmuska, Baroness Orczy | She had suddenly conceived the ambition of becoming an artist (the only profession open to her, as a girl of good family) when she heard that this was the choice of the cousin with whom... |
Reception | Joanna Baillie | Charles Landseer
(brother of Sir Edwin Landseer
) exhibited at the Royal Academy
a painting from JB
's De Monfort; he had already painted Samuel Richardson
's Clarissa. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 1: 511 |
Residence | Elizabeth Strutt | |
Textual Features | Ella Hepworth Dixon | EHD
's heroine, Mary Erle, struggles to negotiate contemporary notions of femininity, marriage, and motherhood with her own desire to live independently and to pursue her own profession. After her father's death, she faces the... |
Textual Features | Catharine Amy Dawson Scott | The Headland was strongly influenced by the writing of Dorothy Richardson
, whom Dawson Scott had met in Cornwall during the first world war. Its story takes three chapters for three cataclysmic days. The protagonist... |
Textual Production | Anne Damer | AD
began exhibiting her sculpture at the annual Royal Academy
show in London; she was a regular contributor to this event until 1818. Bakewell, Susan. “A Muse on the Move: The Hon. Anne Seymour Damer, from England to Italy (via France, Germany, Spain, and Portugal), 1762-1799”. American Society for Eighteenth-Century Studies (ASECS) Conference, Providence, RI. |
Textual Production | Anna Mary Howitt | AMH
exhibited for the only time at the Royal Academy
, with a picture entitled The Castaway, which depicts a fallen woman or prostitute. McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">Punch</span>, and the Royal Academy. Ad Hoc Press. 3 Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell. |
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