Royal Academy

Connections

Connections Sort descending Author name Excerpt
Family and Intimate relationships Laurence Alma-Tadema
In London he became a highly successful painter and a member of the Royal Academy , known particularly for classical subjects handled with richly-coloured sensuous detail that suggested the seventeenth-century Dutch painters. After his death...
Family and Intimate relationships Frances Power Cobbe
Lloyd was the daughter of the squire of Rhagatt in Merionethshire, Wales; a maiden aunt in the family had been a friend of the Ladies of Llangollen (Eleanor Butler and Sarah Ponsonby )...
Family and Intimate relationships Christina Rossetti
He had been a member of the Christ Church congregation to which she belonged, as well as a fellow student of Gabriel at the Royal Academy , but had converted to Catholicism. She was not...
Family and Intimate relationships Laurence Alma-Tadema
LAT 's sister, Anna , also became a painter. She first exhibited at the Royal Academy in 1885 and continued to do so at the rate of a painting about every two years. She had...
Family and Intimate relationships Mary Robinson
MR 's affairs with the prince and with Fox overlapped with the beginning of what turned out to be her most enduring relationship: with Banastre Tarleton , an army colonel and a pitiless hero in...
Family and Intimate relationships Jane Loudon
He was a member of the Society of Arts and a fellow of the Linnean Society , had published a number of books and exhibited as a painter at the Royal Academy , carried out...
Family and Intimate relationships Laurence Alma-Tadema
Laura Alma-Tadema was the daughter of the homoeopathic doctor George Napoleon Epps . Her sister Ellen married Edmund Gosse . Childless herself, she was a loving mother to her stepdaughters.
Swanson, Vern G. The Biography and Catalogue Raisonné of the Paintings of Sir Lawrence Alma-Tadema. Garton, 1990.
95
She herself became a...
Family and Intimate relationships Elizabeth Rigby
ER 's husband, Charles Eastlake , was elected President of the Royal Academy ; he also received a knighthood that autumn, changing ER 's public name to Lady Eastlake.
Lochhead, Marion C. Elizabeth Rigby, Lady Eastlake. John Murray, 1961.
93
Rigby, Elizabeth. Journals and Correspondence of Lady Eastlake. Editor Smith, Charles Eastlake, AMS Press, 1975, 2 vols.
1: 259
Family and Intimate relationships Alice Meynell
AM 's sister Elizabeth , later Lady Butler, became a well-known painter. She earned high praise for her depiction of a battle scene in The Roll Call, exhibited at the Royal Academy in 1874...
Family and Intimate relationships Elizabeth Rigby
Charles Eastlake was an established painter and extremely active in England's artistic circles. In 1842 he became the Royal Academy 's librarian. He also served as the secretary of the Fine Arts Commission and sat...
Family and Intimate relationships Clementina Black
Her sister Emma was a painter who won a scholarship to study with the Royal Academy Schools.
Glage, Liselotte. Clementina Black: A Study in Social History and Literature. Carl Winter, 1981.
19
Garnett, Richard. Constance Garnett: A Heroic Life. Sinclair-Stevenson, 1991.
37
Family and Intimate relationships Virginia Woolf
Virginia and Vanessa (1879-1961, the eldest of Leslie and Julia Stephen's children), were close to one another throughout their lives. In A Sketch of the Past, VW recalls that after the death of their...
Family and Intimate relationships Queen Victoria
She became a sculptor, who exhibited three portrait works at the Royal Academy between 1868 and 1874.
Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell, 1906, 8 vols.
Family and Intimate relationships Mary Palmer
The best-known among MP 's siblings was her brother Joshua , seven years her junior, whose work as a portrait painter eventually won him a knighthood and the first Presidency of the Royal Academy ...
Leisure and Society Mary Brunton
On her second visit she took in the Royal Academy Exhibition and visited the National School under the guidance of Dr Andrew Bell (a Scots Anglican clergyman, formerly of Madras, author of An Experiment in...

Timeline

7 May 1849: The Royal Academy exhibition (held on the...

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7 May 1849

The Royal Academy exhibition (held on the first Monday in May) featured the first Pre-Raphaelite works by William Holman Hunt and John Everett Millais .
Boase, Thomas Sherrer Ross, editor. English Art, 1800-1870. Clarendon, 1959.
280
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

1850: The Royal Academy unleashed the full weight...

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1850

The Royal Academy unleashed the full weight of its criticism against the Pre-Raphaelite Brotherhood .
Boase, Thomas Sherrer Ross, editor. English Art, 1800-1870. Clarendon, 1959.
281-3

Before May 1851: The Royal Academy accepted several Pre-Raphaelite...

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Before May 1851

The Royal Academy accepted several Pre-Raphaelite works for its annual exhibition (which opened on 5 May), despite the volley of criticism which had followed the Brotherhood's previous public displays.
Boase, Thomas Sherrer Ross, editor. English Art, 1800-1870. Clarendon, 1959.
283
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

Mid-1850s: US sculptor Harriet Hosmer, living and working...

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Mid-1850s

US sculptor Harriet Hosmer , living and working in Rome, broke with the convention of using nude male models for both sexes.
Markus, Julia. Across An Untried Sea: Discovering Lives Hidden in the Shadow of Convention and Time. Alfred A. Knopf, 2000.
26
Mitchell, Sally. Frances Power Cobbe: Victorian Feminist, Journalist, Reformer. University of Virginia Press, 2004.
86
Vare, Ethlie Ann, and Greg Ptacek. Patently Female. John Wiley and Sons, 2002.
30

7 May 1855: Painter Joanna Mary Boyce's Elgiva was hung...

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7 May 1855

Painter Joanna Mary Boyce 's Elgiva was hung at the Royal Academy exhibition; this was Boyce's first public exposure.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
49
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

3 May 1858: Rosa Brett made her exhibition debut, showing...

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3 May 1858

Rosa Brett made her exhibition debut, showing The Hayloft at the Royal Academy , under the pseudonym Rosarius.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
52, 54-5
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

4 May 1874: Elizabeth (Thompson), Lady Butler, exhibited...

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4 May 1874

Elizabeth (Thompson), Lady Butler , exhibited her painting Roll Call at the Royal Academy ; it was bought by Queen Victoria .

1859: A Royal Commission was appointed to investigate...

National or international item

1859

A Royal Commission was appointed to investigate the workings of the Royal Academy of Arts, including the role of women artists.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
30

1861: Fearing adverse publicity, and sensing a...

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1861

Fearing adverse publicity, and sensing a shift in public opinion, the Royal Academy of Arts acceeded to demands that female artists be granted admission and membership.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
30

Before May 1862: Whistler's highly realist painting The White...

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Before May 1862

Whistler 's highly realist painting The White Girl was rejected by the Royal Academy .
Spencer, Robin. The Aesthetic Movement: Theory and Practice. Studio Vista, 1972.
20, 26
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

1863: A Government Commission on art was established;...

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1863

A Government Commission on art was established; Robertson Blaine proposed full Royal Academy membership for women.
Nunn, Pamela Gerrish. Victorian Women Artists. Women’s Press, 1987.
48

May 1867: The Royal Academy of Arts was compelled to...

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May 1867

The Royal Academy of Arts was compelled to repeal the quota system it had instituted to limit its numbers of female students.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
78
Nunn, Pamela Gerrish. Victorian Women Artists. Women’s Press, 1987.
48

3 May 1869: Catherine Madox Brown made her exhibition...

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3 May 1869

Catherine Madox Brown made her exhibition debut with At the Opera at the Royal Academy .
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
85
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
3

By 16 May 1874: The Royal Academy chose as its picture of...

Building item

By 16 May 1874

The Royal Academy chose as its picture of the year Elizabeth Thompson 's The Calling of the Roll after the Crimea; Thompson was the first woman to receive such an honour.
Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989.
78
Athenæum. J. Lection.
2429 (1874): 670

Summer 1874: Watercolourist Helen (Paterson) Allingham...

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Summer 1874

Watercolourist Helen (Paterson) Allingham gained the recognition of the London artistic establishment after two of her paintings were selected for the Royal Academy Summer Exhibition.
Taylor, Ina. Helen Allingham’s England: An Idyllic View of Rural Life. Penguin, 1990.
33-7
Cherry, Deborah. Painting Women: Victorian Women Artists. Routledge, 1993.
175-6

Texts

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