Conway, Alison. Private Interests. University of Toronto Press, 2001.
fig. 2
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Alice Dixon Le Plongeon | In 1894 ADLP
corresponded with Mary Elizabeth Adams Brown
about her unsuccessful efforts to place artefacts from Yucatan in the Metropolitan Museum of Art
, since Brown had, from 1889, donated about 4,000 musical instruments... |
Leisure and Society | Grace Elliott | Thomas Gainsborough
painted GE
(already publicly known to be a courtesan) and caused scandal by exhibiting her portrait at the Royal Academy
. This painting is now in the Metropolitan Museum of Art
, New York. Conway, Alison. Private Interests. University of Toronto Press, 2001. fig. 2 Conway, Alison. Private Interests. University of Toronto Press, 2001. 40, 227n83 |
Occupation | Leonora Carrington | In Paris LC
created her seminal painting The Inn of the Dawn Horse, also known as Self-Portrait and (in 2017) held by the Metropolitan Museum of Art
in New York. Moorhead, Joanna. The Surreal Life of Leonora Carrington. Virago Press, 2017. 86 |
Occupation | Roger Fry | RF
worked as a curator at the Metropolitan Museum of Art
in New York City. Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995. 95 |
Occupation | Alice Dixon Le Plongeon | In the late nineteenth and early twentieth century, ADLP
's work centred around publicity and fund-raising, especially towards the publication of her husband's book Queen Móo and the Egyptian Sphinx, which was achieved in... |
Publishing | Caroline Blackwood | CB
sent her first two unpublished stories to Walter Evans
, and they are now among his archive at the Metropolitan Museum
, New York. When she married Israel Citkowitz
he encouraged her writing... |
Publishing | Leonora Carrington | In 1946 LC
wrote her play Penelope, in which the title character is liberated and set to begin a new phase of her life after the suicide of her father. As she escapes on... |
Reception | Leonora Carrington | Moorhead pays homage to her subject partly by naming each chapter in the book after one of LC
's visual or written texts, choosing pieces that she saw corresponding with her representations of the different... |
Textual Production | Emilie Barrington | EB
compiled a critical catalogue of paintings by George Frederic Watts
for an exhibition at the Metropolitan Museum of Art
in New York—which she herself had persuaded Watts to agree to. Macmillan, Hugh. The Life Work of George Frederic Watts, R.A. 2nd ed., J. M. Dent, 1906. 41, 42 |
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