Brake, Laurel. Print in Transition. Palgrave, 2001.
89, passim
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Sophie Veitch | Though the title spotlights her alone, the heroine is set firmly in her social milieu: a coastal part of Scotland with a luxury estate on an offshore island called Moyle, all unknown territory to... |
Textual Features | Elinor James | This is her defence of the High-Church preacher Henry Sacheverell
, who had got into trouble with a flagrantly Jacobite sermon preached on 5 November 1709. James calls him a Church of England
angel in... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | George Eliot | The essay contributes, as critic Laurel Brake
has argued, to a continuing debate over gender both within the progressive Westminster itself and in mid-Victorian culture more broadly. Brake, Laurel. Print in Transition. Palgrave, 2001. 89, passim |
Textual Features | Monica Furlong | MF
's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican
, Roman Catholic |
Textual Features | Doreen Wallace | DW
writes as from the field of battle, reporting developments which are still ongoing. She exhibits shrewd and informed understanding of farm economics and church economics. She convincingly depicts both the law and the Church... |
Textual Features | Doreen Wallace | Tom, who felt the call to the ministry as a captain in the Merchant Navy
, and is husband to the protagonist, Mary Barry, is unquestioningly, effortlessly good and generous. (He performs miracles preserving the... |
Textual Features | Frances Trollope | FT
was a strong believer in established religion, and as she had frowned upon English practices antithetical to the Church of England
, so too she found American religious pluralism unsettling. In one anecdote, she... |
Textual Features | Lucy Knox | The volume contains thirty-three poems. Lament of the loyal Irish in 1869, England and Pauperism, and England and Secular Education speak to social and political concerns, while other poems explore the disappointments of... |
Textual Features | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Textual Features | Evelyn Underhill | Like Practical Mysticism, this small volume attempts to synthesize religious experience and everyday life, but EU
is not here concerned primarily with mysticism. She is instead interested in describing what she finds to be... |
Textual Features | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting qtd. in Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 161 |
Textual Features | Elizabeth Sewell | The story is of a young girl's development and close relationship with her mother. A High Anglican
message is important here, as it was to be in all of ES
's work. |
Textual Features | Elizabeth Gaskell | Like the earlier Mary Barton, North and South was set in a manufacturing district, in Manchester rechristened Milton. However, North and South focuses on the alliance between the gentry and the emergent industrial middle... |
Textual Features | Mary Elizabeth Braddon | In The Fatal Three the mostly loveless childhood of Mildred, the daughter of a frivolous society woman, is brightened only by the brief sojourn in her household of a woman presumed to be her illegitimate... |
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