Brake, Laurel. Print in Transition. Palgrave, 2001.
89, passim
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Catherine Hubback | The later dangers which Agnes faces are chiefly theological: she moves towards Dissent
and specifically Presbyterianism
, but returns to the Church of England
, saved in part by a copy of The Christian Year... |
Textual Features | Charlotte Yonge | This is, as the title implies, a personal defence of the High Anglican
position. |
Textual Features | Elinor James | This work (fuller title Mrs. James's Vindication of the Church of England, In An Answer to a Pamphlet Entituled, A New Test of the Church of England's Loyalty) summarises and defends her career so... |
Textual Features | Jane Johnson | She writes of women's virtues as domestic ones, and the family as the proper province for private women to shine in. Whyman likens her letters, in their aim and scope, to those of Richardson
... |
Textual Features | Elinor James | This is her defence of the High-Church preacher Henry Sacheverell
, who had got into trouble with a flagrantly Jacobite sermon preached on 5 November 1709. James calls him a Church of England
angel in... |
Textual Features | George Eliot | The essay contributes, as critic Laurel Brake
has argued, to a continuing debate over gender both within the progressive Westminster itself and in mid-Victorian culture more broadly. Brake, Laurel. Print in Transition. Palgrave, 2001. 89, passim |
Textual Features | Monica Furlong | This book reflects MF
's wide reading and an impish sense of humour employed to help her and her readers live with the unacceptable. Each chapter comes headed by a very funny cartoon and a... |
Textual Features | Sophie Veitch | Though the title spotlights her alone, the heroine is set firmly in her social milieu: a coastal part of Scotland with a luxury estate on an offshore island called Moyle, all unknown territory to... |
Textual Features | Lucy Knox | The volume contains thirty-three poems. Lament of the loyal Irish in 1869, England and Pauperism, and England and Secular Education speak to social and political concerns, while other poems explore the disappointments of... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Textual Features | Monica Furlong | MF
's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican
, Roman Catholic |
Textual Features | Doreen Wallace | DW
writes as from the field of battle, reporting developments which are still ongoing. She exhibits shrewd and informed understanding of farm economics and church economics. She convincingly depicts both the law and the Church... |
Textual Features | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting qtd. in Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 161 |
Textual Features | Mary Elizabeth Braddon | In The Fatal Three the mostly loveless childhood of Mildred, the daughter of a frivolous society woman, is brightened only by the brief sojourn in her household of a woman presumed to be her illegitimate... |
No timeline events available.
No bibliographical results available.