Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary More | MM
believes that she is saying something new and not commonly known when she argues that male power over women has grown gradually by unjust laws. She sets out by quoting from and commenting on... |
Intertextuality and Influence | Mary Catherine Hume | The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans |
Intertextuality and Influence | Margiad Evans | Several poems in A Candle Ahead invoke ME
's teachers: Milton
, Thomas Traherne
, Walter de la Mare
, and Thomas Hardy
, the theme of whose The Well-Beloved is that of her closing... |
Intertextuality and Influence | Anna Maria Mackenzie | The title-page quotes lines from Thomas Otway
about a massacre of children by soldiers; chapter one quotes Milton
on the torments of a bad conscience. The story is set in the tenth and eleventh centuries... |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Intertextuality and Influence | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |
Intertextuality and Influence | Mary Deverell | |
Intertextuality and Influence | Ali Smith | The tribute to Helena Mennie Shire is twofold. The Poet imagines the childhood of twentieth-century Scottish poet Olive Fraser
, whose poetry Shire had collected in The Wrong Music and The Pure Account, and... |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, 2000, pp. 19-64. 45 |
Intertextuality and Influence | Anna Maria Mackenzie | The story opens during the sixteenth century, in the forests of Dalecarlia (in Swedish Dalarna), whose copper miners supported Gustav Vasa
(in English generally known as Gustavus) in his revolt against Christian II, King of Denmark, Sweden, and Norway |
Intertextuality and Influence | Sarah Murray | Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God... |
Leisure and Society | Mary Jones | |
Literary responses | Lydia Howard Sigourney | Literary historian Emily Stipes Watts
and others have noted Sigourney's high reputation in her own day (the female Milton, the American Hemans, the sweet singer of Hartford, generally ranked higher than William Cullen Bryant |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
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