Concanen, Matthew, editor. The Flower-Piece. Walthoe.
130
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Sydney Owenson, Lady Morgan | Volume three opens with a mock trial: the Crawleys hope to get innocent men (including the hero) condemned for insurrection; the English or Anglicised Irish aristocrats are flightily amused at performing a trial scene. The... |
Textual Features | Judith Cowper Madan | |
Textual Features | Mary Whateley Darwall | |
Textual Features | Lucy Hutton | LH
draws on a wide range of sources to buttress her argument. These include the results of her reading—Milton
, and the story of the Greek Atalanta (whose male inventors, she says, were not... |
Textual Features | Caroline Norton | Opening in Milton
ic tones of high seriousness but in Spenser
ian stanzas, the poem offers up childhood as the last echo of Eden spared to humanity after the fall. The sustained trope is that... |
Textual Features | Michelene Wandor | Her range of reference is wide: Milton
, Cromwell
, Virginia Woolf
, Joan Baez
, fairy tales, the Bible, and settings (as her publisher puts it) from Jerusalem to Hollywood, cafes to graveyards. |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Textual Features | Elizabeth Singer Rowe | Her narrative, in iambic couplets, was influenced, as most biblical re-tellings were, both by Milton
's Paradise Lost and by Matthew Prior
's Solomon (which elsewhere she praised in verse). Lori A. Davis Perry
suggests... |
Textual Features | Deborah Levy | The detached wryness of this book reminded Lauren Elkin
of Djuna Barnes
. Elkin, Lauren, and Deborah Levy. “Introduction”. Beautiful Mutants and Swallowing Geography. Two Early Novels, Bloomsbury, p. vii - xiii. x |
Textual Features | Eleanor Tatlock | Her preface says she is not altogether unknown to the religious Public Tatlock, Eleanor. Poems. S. Burton. preface |
Textual Features | Jane Harvey | JH
's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is... |
Textual Features | Mary Shelley | Within the next couple of days she read two more books by Wollstonecraft (along with works by Livy
and Milton
). But she says nothing about these texts, or about the experience of reading them... |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Features | Katherine Philips | In some sense, therefore, she dictated the terms of the anthology. Its full title was The Virgin Muse: Being a Collection of Poems from our Most Celebrated English Poets, designed for the use of... |
Textual Features | Eliza Fenwick | For this anthology EF
gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare
and Milton
, as well as more recent and controversial writers like Thomas Chatterton
and Helen Maria Williams
... |
No timeline events available.
No bibliographical results available.