John Milton

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Standard Name: Milton, John

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Sarah, Lady Cowper
The diary's first volume opens with a preface which expresses conventional modesty bluntly, without the customary effort at elegance or grace: Books generally begin with a Preface which draws in the Reader to go on...
Intertextuality and Influence Catherine Hubback
CH heads her volumes and chapters with quotations. Wordsworth is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther...
Intertextuality and Influence Elizabeth Freke
Most striking of all is A Diologue between the Serpentt and Eve, which may have been written on the model of the speeches in Milton 's Paradise Lost, but does not refer to...
Intertextuality and Influence Anna Maria Mackenzie
The title-page quotes lines from Thomas Otway about a massacre of children by soldiers; chapter one quotes Milton on the torments of a bad conscience. The story is set in the tenth and eleventh centuries...
Intertextuality and Influence Elizabeth Griffith
He describes her with a line from Donne 's Second Anniversary. EG 's range of reference here includes Rousseau , Milton , Frances Greville , and Lady Mary Wortley Montagu . Characters discuss and...
Intertextuality and Influence B. M. Croker
The first chapter is has an epigraph from Pope (A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton and...
Intertextuality and Influence Mary Catherine Hume
The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans
Intertextuality and Influence Anna Maria Mackenzie
A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and...
Intertextuality and Influence Mary Wollstonecraft
MW was replying to a number of authoritative male texts about the nature of women: by Burke (who in Reflections on the Revolution in France had glorified Marie-Antoinette and dismissed non-queenly femininity as animal), Rousseau
Intertextuality and Influence Margaret Croker
The title-page quotes from Milton 's sonnet on his dead wife. The text quotes from Pope and Young . MC emphasises real, sincere emotion (her only recommendation, she says) in her dedication, in the advertisement...
Intertextuality and Influence Sarah Stickney Ellis
In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life...
Intertextuality and Influence Anna Maria Mackenzie
The story opens during the sixteenth century, in the forests of Dalecarlia (in Swedish Dalarna), whose copper miners supported Gustav Vasa (in English generally known as Gustavus) in his revolt against Christian II, King of Denmark, Sweden, and Norway
Intertextuality and Influence Sarah Murray
Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God...
Intertextuality and Influence Mary Julia Young
The title-page has two epigraphs. The first begins with two lines from Milton 's Il Penseroso (perhaps alluding to its musical setting by Handel ), which go on to link the nightingale with Anna...
Intertextuality and Influence Phyllis Bottome
The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army , Navy , and Air Force , the Women's Auxiliary Services , and the lives of ordinary...

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