Sutherland, John. Mrs. Humphry Ward. Clarendon Press.
2
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Harriet Martineau | These collections supply parts of HM
's correspondence with Matthew Arnold
, Charlotte Brontë
, Jane Welsh Carlyle
, John Chapman
, Maria Weston Chapman
, Anne Jemima Clough
, Samuel Courtauld
, Ralph Waldo Emerson |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Constance Naden | CN
had meanwhile, three years before Gladstone's essay, given up writing poetry, which she came to see as essentially lightweight. Her friends tended to blame for this the influence of Robert Lewins
, who later... |
Occupation | Walter Pater | While at Brasenose
, he wrote three anonymous essays for the Westminster Review: Coleridge
's Writings, Winckelmann, and The Poetry of William Morris. All three were attacked, says scholar Laurel Brake |
Textual Production | Adelaide Procter | Here AP
's wide literary connections paid off handsomely. Contributors to The Victoria Regia included some of the most prominent names in literature of the day, mingled with less prominent writers who were also feminists:... |
Intertextuality and Influence | Adrienne Rich | In Culture and Anarchy (titled after the famous essay collection by Matthew Arnold
, 1869 ), Rich mixes her own poetry with the words of nineteenth-century Anglo-American women writers Jane Addams
, Susan B. Anthony |
Literary responses | Percy Bysshe Shelley | For generations PBS
appeared the quintessential image of the Romantic poet, whose work influenced such poets as Mathilde Blind
, Amy Levy
, Alice Meynell
, Sarojini Naidu
—though for some of them he was... |
Literary responses | Edith J. Simcox | This work received an ambivalent response from The Spectator reviewer, who called it in effect an attempt, ingenious and not unskillful, but very much the reverse of convincing, to prove that the world would go... |
Friends, Associates | Algernon Charles Swinburne | He had ties to writers Anne Ogle
, Mary Louisa Molesworth
, Ouida
, and Mathilde Blind
. His movement through England's literary circles also brought him into the company of Thomas Carlyle
, James Anthony Froude |
Family and Intimate relationships | Mary Augusta Ward | MAW
's father, Thomas Arnold
, was the second son and namesake of the eminent Victorian headmaster Thomas Arnold. Matthew Arnold
was his elder brother. Sutherland, John. Mrs. Humphry Ward. Clarendon Press. 2 Sutherland, John. Mrs. Humphry Ward. Clarendon Press. 2 |
Education | Mary Augusta Ward | On her arrival in Oxford, her father
became to some extent interested in her education, enrolling her for music lessons with the organist James Taylor
, and having her copy work for him. He provided... |
Friends, Associates | Mary Augusta Ward | She met a number of important writers through her newspaper work. She associated with Alexander Macmillan
, Sir George Grove
, Edmund Gosse
and his wife Ellen
, John Morley
, and her uncle Matthew Arnold |
Textual Features | Mary Augusta Ward | Perhaps the most interesting is her review (March 1884) of Harry Buxton Forman
's recent edition of Keats
. Ward argues that the letters to Fanny Brawne
ought not to have been made public. (She... |
Intertextuality and Influence | Mary Augusta Ward | MAW
planned her next novel as a much weightier study of the intellectual impact of historical thought on conventional faith; it was deeply influenced by the intellectual milieu of Oxford and the histories of her... |
Intertextuality and Influence | Mary Augusta Ward | The novel features Robert Elsmere's gradual loss of his orthodox Christian faith, and the tension which this causes between the emerging sceptic and his wife, Catherine Leyburn (based on MAW
's friend Laura Lyttleton
)... |
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