Knopf

This translation remained standard for a long time: later re-issues include one from Vintage in 1989 with an introduction by Deirdre Bair , and one from David Campbell in 1993 with an introduction by Margaret Crosland

FS published, with John Murray , East is West. In the United StatesAlfred A. Knopf published this book as The Arab Island: The Middle East, 1939-1943.

It was dedicated to Derek Hill , who had done for EB her painting of Bowen's Court. The New York edition, Seven Winters and Afterthoughts, from Alfred A. Knopf (EB 's regular...

On her travels in France in 1920 she had done research for this novel. It was her first book to be published with Knopf instead of with Houghton Mifflin . It sold 30,000...

That same year it was published in the USA by Knopf (to whom MS had moved from Lippincott ), and it also appeared in a condensed version in the Saturday Evening Post. It was...

It sold nearly 5,000 copies in six weeks, a further acceleration of the high sales rate (for ICB ) of Elders and Betters.Knopf published it in the USA in 1948 under...

That same year it also appeared in New York with publisher Alfred A. Knopf . The French Window, her second book for children, followed in 1970.

She followed these with other translations of his works: Horla and Other Stories (1925), and (with Ernest Boyd ) Eighty-Eight Short Stories (1930). All of these volumes were put out by Knopf , the publisher...

With this book ICB 's advance went up to £200, payable at publication, and she stipulated that Gollancz was to reprint her earlier titles. Its American publication, by Knopf , preceded the English one: 19 March 1951.

The special copies, produced jointly with Observer Books , featured an original etching by Michael Ayrton . The US edition was by Viking (as were those of MS 's next few books); she had broken...

Knopf published the work in New York that same year. In 1952, George Harrap issued a new edition, as did Pan Books in 1958.

Knopf declined to publish this novel, on the grounds that ICB 's sales in the USA had been disappointing. In the end it was published by Julian Messner of New York instead.

Her children were grown up and she was, she says, doing nothing. She began writing in the same secrecy as at the beginning of her career, still finding the process painful.Billy Collins ,...

McClelland and Stewart 's print run was 40,000 copies, and the Knopf edition which followed on 14 November was of 100,000.

Deborah Treisman , fiction editor at The New Yorker, wrote in the magazine about her friendship with MG and about a plan for Knopf to publish her journals within a year or two, edited...