Knopf

She had worked for Knopf since 1923 and was friendly with both Blanche and Alfred Knopf .

She followed these with other translations of his works: Horla and Other Stories (1925), and (with Ernest Boyd ) Eighty-Eight Short Stories (1930). All of these volumes were put out by Knopf , the publisher...

SJ worked as a publishing representative for Alfred A. Knopf in London.

SJ was co-manager of Alfred A. Knopf 's London branch with Guy Patterson Chapman (who became her husband on 1 February 1926).

Jameson met Romer Wilson , Charles Morgan , and J. W. N. Sullivan through her Knopf connections. By about 1924 she and Edith Sitwell had visited each other's homes. Jameson felt that in spite of...

Though the reunion of Jameson and her son was not permanent, they moved to Weybridge at some point in 1924. She began work on her fifth novel, as her Knopf salary did not cover their...

She was once charged by Knopf with the task of attempting to persuade Wyndham Lewis to keep them as his American publisher, which she did on a cold, rainy day as vile as his temper...

Knopf published the work in New York that same year. In 1952, George Harrap issued a new edition, as did Pan Books in 1958.

Her children were grown up and she was, she says, doing nothing. She began writing in the same secrecy as at the beginning of her career, still finding the process painful.Billy Collins ,...

She had cut down her first draft, of nearly 700 pages in typescript, to 578 pages, and intended to cut it by another hundred. It was, however, accepted by all of her publishers: McClelland and Stewart

DHL attempted to find an English or American publisher, but met with no success: the sexual language and actions of Constance Chatterley, the gamekeeper Oliver Mellors, and others were seen as immoral and unfit for...

Lofts circulated this manuscript among publishers for five years before it was accepted by Knopf . During this time, she did not write any further fiction: I was too despairing, and I thought if that...

She regarded this book as an exercise in learning how to sustain a long narrative.Marie Belloc Lowndes , who was supportive and generous with praise of this book, also told OM that her...

Scholar Claire Tomalin suspects that this refusal had to do with KM 's unacknowledged debt to Chekhov in The Child-Who-Was-Tired. Mansfield was, however, feeling discouraged about all her work. In February, with The Garden...

Most of the stories dated from several years before, and had been published in periodicals. An edition from Knopf , New York, followed in January 1921.