Stockdale, Mary. The Mirror of the Mind. John Stockdale.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Friends, Associates | Mary Stockdale | |
Education | Freya Stark | Family friends sympathetic to Freya's feelings of entrapment at Dronero sent her gifts of books: she was especially passionate about Shakespeare
, Sir Walter Scott
, Byron
, Keats
, Kipling
, Shelley
, Wordsworth |
Textual Features | Freya Stark | Despite the generality of her introduction, Stark relates her particular experiences in Aden, Egypt, Syria, Palestine, Transjordan, and Iraq. She depicts the Arab character through detailed descriptions and through... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes William Wordsworth
. At the beginning of the collection a male narrator, London-born with a Welsh mother, travels after his mother's death to Chirk (her native place). The tales' framework is desultory... |
Textual Production | Muriel Spark | MS
published Tribute to Wordsworth
: A Miscellany of Opinion for the Centenary of the Poet's Death, a work on Wordsworth's reception in which she dealt with the twentieth century and Derek Stanford
with the nineteenth. Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press. 19 Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson. 109 |
Author summary | Robert Southey | |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Literary responses | Charlotte Smith | Wordsworth
chose Smith's sonnets, with Milton
's and his own, as domestic reading on Christmas Eve 1802. Thirty years later Coleridge spoke of the personal or egotistical elegiac form as standing at the heart of... |
Textual Production | Elizabeth Smith | By mid-August 1793 Smith had written what was probably a poem called Tintern Abbey. Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell. 34 |
Intertextuality and Influence | Zadie Smith | These essays are a paradox: colloquial and popular in their enthusiasms, effortlessly learned in their handling. Smith is highly personal as she recounts her cultural discoveries: of a biracial chareacter claiming liberty of creative freedom... |
Friends, Associates | Charlotte Smith | CS
met Helen Maria Williams
during her brief visit to revolutionary France. She provided an introduction to Williams for William Wordsworth
(who had in fact met or perhaps merely seen her already) before he too... |
Friends, Associates | Lydia Howard Sigourney | On this trip LHS
added a number of literary names to her roster of acquaintances: Maria Edgeworth
, William Wordsworth
, Samuel Rogers
, Anna Maria Hall
and her husband
, and Jane
and Thomas Carlyle |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Theme or Topic Treated in Text | Lydia Howard Sigourney | Here she recorded her meetings with English literary figures: Maria Edgeworth
, William Wordsworth
, and Thomas Carlyle
. |
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago. 66 |
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