Glendinning, Victoria. Vita. Penguin.
167
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Vita Sackville-West | The enthusiastic review by J. C. Squire
was not entirely welcome to VSW
, since she regarded Squire as a silly old ass and all that. Glendinning, Victoria. Vita. Penguin. 167 |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Theme or Topic Treated in Text | Anna Seward | Though AS
disliked Samuel Johnson, many of her literary opinions were conservative. She still loved Ossian
in 1796, when the texts were known to be forgeries. On 24 August 1807 (despite her admiration for Robert Southey |
Friends, Associates | Elizabeth Sewell | She was too shy to move in literary circles, though she did meet several writers who called on her, including Sarah Austin
and Sir Charles Trevelyan
. With each of them she felt uncomfortable, as... |
Friends, Associates | Elizabeth Sewell | |
Friends, Associates | Mary Shelley | Visitors to the family included William Wordsworth
, William Hazlitt
, Charles Lamb
, Thomas Holcroft
, Samuel Taylor Coleridge
and Maria Edgeworth
. Hill-Miller, Katherine C. ’My Hideous Progeny’: Mary Shelley, William Godwin, and the Father-Daughter Relationship. University of Delaware Press; Associated University Presses. 27-8 Sunstein, Emily W. Mary Shelley: Romance and Reality. Little, Brown. 40-1 Mellor, Anne K. Mary Shelley: Her Life, Her Fiction, Her Monsters. Routledge. 11 |
Theme or Topic Treated in Text | Margaret Emily Shore | The diary provides a full and vivid account of girlhood in the years leading up to Victoria
's reign, in addition to musings on familial and personal topics. It contains substantial literary criticism, such as... |
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago. 66 |
Friends, Associates | Lydia Howard Sigourney | On this trip LHS
added a number of literary names to her roster of acquaintances: Maria Edgeworth
, William Wordsworth
, Samuel Rogers
, Anna Maria Hall
and her husband
, and Jane
and Thomas Carlyle |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Theme or Topic Treated in Text | Lydia Howard Sigourney | Here she recorded her meetings with English literary figures: Maria Edgeworth
, William Wordsworth
, and Thomas Carlyle
. |
Friends, Associates | Charlotte Smith | CS
met Helen Maria Williams
during her brief visit to revolutionary France. She provided an introduction to Williams for William Wordsworth
(who had in fact met or perhaps merely seen her already) before he too... |
Literary responses | Charlotte Smith | Wordsworth
chose Smith's sonnets, with Milton
's and his own, as domestic reading on Christmas Eve 1802. Thirty years later Coleridge spoke of the personal or egotistical elegiac form as standing at the heart of... |
Textual Production | Elizabeth Smith | By mid-August 1793 Smith had written what was probably a poem called Tintern Abbey. Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell. 34 |
Intertextuality and Influence | Zadie Smith | These essays are a paradox: colloquial and popular in their enthusiasms, effortlessly learned in their handling. Smith is highly personal as she recounts her cultural discoveries: of a biracial chareacter claiming liberty of creative freedom... |
No timeline events available.
No bibliographical results available.