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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Intertextuality and Influence | Mary Bryan | The poems tend to the plaintive, but an allegiance to Wordsworth
and to his rule of simplicity keeps MB
from overstatement. The opening poem in the volume is a critical appreciation of Wordsworth's achievement which... |
Intertextuality and Influence | Dorothy Wordsworth | |
Intertextuality and Influence | Iza Duffus Hardy | Fitzallan first mesmerises Eileen Dundas in a harmless, social situation, but eventually puts her in a trance and has her kill Geoffrey Carresford, whom she loves and is expected to marry, and who has penetrated... |
Intertextuality and Influence | Mary Anne Barker | In Holiday Stories for Boys and GirlsMAB
writes that she has copied real life because she is not clever enough to make up invented stories. Gilderdale, Betty. The Seven Lives of Lady Barker. Canterbury University Press, 2009. 170 |
Intertextuality and Influence | Matilda Charlotte Houstoun | MCH
raises the tone of her work with chapter-headings from Wordsworth
, Shakespeare
, Dryden
, and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of... |
Intertextuality and Influence | Ann Yearsley | Elizabeth Isabella Spence
, reporting on a visit to Bristol, mentions AY
as an example of an obscure woman writer of genius. Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme, 1809, 2 vols. 71 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Intertextuality and Influence | Ann Hawkshaw | Published by Jackson and Walford
in London and by Simms and Dinham
in Manchester, the book opens with several invocational stanzas that name both Felicia Hemans
and William Wordsworth
as inspirational figures for the... |
Intertextuality and Influence | Eliza Dunlop | Nearly a decade before Elizabeth Barrett Browning
's The Runaway Slave at Pilgrim's Point, but following William Wordsworth
's Complaint of a Forsaken Indian Woman and Felicia Hemans
's The Indian Woman's Lament... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Maria Jane Jewsbury | Before the work was published, MJJ
sent William Wordsworth
, whom she had never met, a copy of the first volume. In her letter she thanked him for his inspiration and expressed her hope that... |
Intertextuality and Influence | Zadie Smith | These essays are a paradox: colloquial and popular in their enthusiasms, effortlessly learned in their handling. Smith is highly personal as she recounts her cultural discoveries: of a biracial chareacter claiming liberty of creative freedom... |
Intertextuality and Influence | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
Leisure and Society | Lady Eleanor Butler | The Ladies and the rural ideal they embodied became famous in literary circles, an object of pilgrimage alike to the lesbian Anne Lister
and to more conventional figures like William Wordsworth
and the Irish poet... |
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