Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114.
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Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Mary Tighe | When Thomas Moore
read Psyche he expressed his pleasure to MT
in a short lyric which calls her by the name of her protagonist, Psyche; at her death he eulogised her by the same... |
| Literary responses | Katharine Tynan | Colm O Lochlainn
in Anglo-Irish Song-writers since Moore, 1950, praised KT
's words as the sweetest in English to the Derry Air (a melody also known as the Londonderry Air, or, from other... |
| politics | Margaret Fell | This approach to the newly-restored monarch was a vital tactical move for the Quakers, who had been persecuted in the last years of the Interregnum. George Fox
was still in prison; MF
went to London... |
| Publishing | Sydney Owenson, Lady Morgan | Following her well-publicised battles first with Colburn
and then with Saunders and Otley
, Morgan got Thomas Moore
to sound out John Murray
about taking her on. She had a plan to follow her Life... |
| Publishing | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. |
| Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
| Textual Features | Caroline Norton | The Rebel, spoken by an imprisoned Irish harper who weep[s,] to think upon my country's chain, suggests both a sympathy with the cause of Ireland and the influence of CN
's friend Thomas Moore |
| Textual Features | Barbarina Brand, Baroness Dacre | An epilogue by Thomas Moore
sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite... |
| Textual Production | Mary Tighe | MT
set her face against open publication, partly because of the reviewers' ostentatious moral panic over mildly erotic poems by Thomas Moore
, and over ladies associated with him (as she was by virtue of... |
| Textual Production | Eleanor Farjeon | |
| Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
| Textual Production | Mary Tighe | Henry Moore copied poems into a manuscript album which he titled Poems HM 1811 (now at Chawton House Library
). The first 66 pages are occupied by MT
's work, at the end of which... |
| Textual Production | Constantia Grierson | Copies of Thomas Moore
's Odes of Anacreon (first published in 1800) were issued with a single-sheet printing of The Art of Printing (a poem ascribed to CG
) laid in. English Short Title Catalogue. http://estc.bl.uk/. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 96 |
| Textual Production | Anna Jane Vardill | The full title was Poems and Translations from the Minor Greek Poets and Others: written chiefly between the ages of ten and sixteen. The volume was supplied with two title-pages, one conventionally printed and... |
| Textual Production | Mary Shelley | MS
engaged in June 1827 to help Thomas Moore
as a silent but major contributor Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 16 Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 44-5 |
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