Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins, 1953. 12 |
Textual Production | Caroline Bowles | She intended to move, with the publication of Chapters on Churchyards, from poetry to prose fiction. Her letter to Southey
written on 21 October 1833 shows her growing frustration with the very pretty poetry... |
Textual Production | Monica Furlong | MF
titled her single book of poetry God's a Good Man, an assertion made by Shakespeare
's Dogberry which she finds absurd but moving. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Brigid Brophy | |
Textual Production | Ruth Rendell | RR
's To Fear a Painted Devil, her second published novel and the first of her psychological thrillers, adapted for its title a line from Shakespeare
's Macbeth. Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989. 305 |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | George Bernard Shaw | The play was published in 1901, with a preface titled BETTER THAN SHAKESPEARE
? |
Textual Production | Mary Latter | |
Textual Production | Carson McCullers | The background to this piece was that Reeves McCullers
, divorced husband of Carson, received a commission in the US Army, and wrote her a dignified and heartfelt letter of apology and conciliation, which reminded... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Warwickshire Contemporaries, a collection of biographies which she had written and had already printed separately. Schoenbaum, Samuel. Shakespeare’s Lives. Clarendon Press, 1970. 640 |
Textual Production | Pamela Frankau | PF
published The Willow Cabin, whose title echoes the words of Shakespeare
's Viola in Twelfth Night, telling Orsino (who thinks her a boy) what she would do were she in love. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Deborah Levy | DL
pursued the Shakespeare
-becomes-contemporary idea in her first volume of short stories, Ophelia and the Great Idea. It bore the publication date of 1989. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Gertrude Stein | At the age of eight, GS
tried to write a Shakespeare
an drama. She abandoned this project, however, for the less demanding melodrama, Snatched from Death; or, The Sundered Sisters. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley, 1959. 11 |
Textual Production | Mary Cowden Clarke | Mary Cowden Clarke
published the work for which she is principally remembered, The Girlhood of Shakespeare
's Heroines; in a series of fifteen tales. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1208 (21 December 1850) |
Textual Production | Margaret Atwood | Awad, Mona. “Art to enchant”. The Globe and Mail, 15 Oct. 2016, p. R11. |
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