Standard Name: Despard, Charlotte
Birth Name: Margaret Charlotte French
Married Name: Margaret Charlotte Despard
Indexed Name: C. Despard
Indexed Name: Mrs M. C. Despard
Nickname: Madame Desperate
CD , who wrote and published during almost sixty years of the late nineteenth and early twentieth centuries, began with romantic novels, then allowed her already existent interest in political issues to percolate into her fiction. From the time of the suffrage struggle she became an editor, a prolific journalist, and a pamphleteer. Some of her poetry reached print when she was in her nineties. Despite her great importance to the suffrage struggle and to Irish and other left-wing politics of her several generations, her diaries and letters remain unpublished.
|Connections Sort descending||Author name||Excerpt|
|Family and Intimate relationships||Katharine Bruce Glasier|
|Family and Intimate relationships||Mrs Alexander||
Her father, Robert French , was a solicitor from a Roscommon family. He was fond of hunting and sports in general.
Blain, Virginia, Patricia Clements, and Isobel Grundy, editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
Matthew, Henry Colin Gray, Brian Harrison, and Lawrence Goldman, editors. Oxford Dictionary of National Biography.
Black, Helen C. Notable Women Authors of the Day. D. Bryce, 1893.
The French family which produced writer and suffragist Charlotte Despard was said to...
|Friends, Associates||Mary Gawthorpe|
|Friends, Associates||Maud Gonne|
|Friends, Associates||Naomi Jacob||
NJ met Charlotte Despard during the days of the suffrage struggle, and later as an actress on tour visited her at Roebuck House in Clonskeagh, not long after Ireland became independent. The cabman driving...
|Friends, Associates||Constance Lytton|
Organisers chose to present two feminist plays by men, Woman on Her Own by Eugène Brieux , translated by Charlotte Shaw (Bernard Shaw 's wife), and A Gauntlet by Bjørnstjerne Bjørnson .
Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, pp. 123 - 37.
|politics||Isabella Ormston Ford|
|politics||Christopher St John|
27 June 1907
The Women's Franchise began weekly publication in London; it featured contributions from major societies within the suffrage movement and from individuals.
16 September 1909
The Women's Freedom League Temporary Newsheet began weekly publication in London.
28 October 1909
Charlotte Despard edited the first issue of The Vote: Organ of the Women's Freedom League, a weekly magazine from London covering a range of feminist issues, including suffrage.
27 July 1911
The Women's Franchise, which featured contributions from major societies within the suffrage movement and from individuals, ceased publication in London.
German and Allied forces at the front lines began an informal cease-fire, which lasted up to five days, in honour of the season.
The Irish Citizen ended publication after a British soldier wrecked the press.
6 July 1928
Four days after the Representation of the People (Equal Franchise) Act received the royal assent, a celebratory breakfast was held at the Hotel Cecil in London.
10 November 1933
The Vote, a weekly magazine covering a range of feminist issues including suffrage, ended publication.