Dickens, Monica. An Open Book. Heinemann.
67
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Barrett Browning | There followed, also in the Athenæum, a review of Wordsworth
's poems in August 1842. As well as these, EBB
provided both critical contributions on Carlyle
and Tennyson
, and material gleaned from her... |
Textual Production | Monica Dickens | This was ironical, since her aim had been to produce something new and different. Dickens, Monica. An Open Book. Heinemann. 67 |
Textual Production | Adelaide Procter | Here AP
's wide literary connections paid off handsomely. Contributors to The Victoria Regia included some of the most prominent names in literature of the day, mingled with less prominent writers who were also feminists:... |
Textual Production | Anna Swanwick | She dedicated it to James Martineau
in honour of their friendship of sixty years. Swanwick, Anna. Poets the Interpreters of their Age. George Bell. prelims |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Elizabeth Bishop | |
Textual Production | Mary Linskill | She took her title from a line in Tennyson
's Break, break, break, a poem which powerfully conveys a sense of desolation and despair. She dedicated her novel to Mrs Lupton
, her former... |
Textual Production | Jane Francesca, Lady Wilde | Francesca Elgee set the tone for her correspondence with John Hilson
in her earliest surviving letter, writing your Gods are my Gods about her favourite modern living poets, Tennyson
and Elizabeth Barrett
, who... |
Textual Production | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Textual Production | Anne Thackeray Ritchie | ATR
's From an Island: A Story and Some Essays appeared: the novella From an Island depicts Tennyson
's circle and his house at Freshwater on the Isle of Wight. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, p. various pages. xxv, 172 Gérin, Winifred. Anne Thackeray Ritchie: A Biography. Oxford University Press. 171 |
Textual Production | Elizabeth Jenkins | EJ
gave a lecture at Lincoln at the annual dinner of the Tennyson Society
, which was published, leaflet style, as Tennyson
and Dr. Gully. Jenkins, Elizabeth. Tennyson and Dr. Gully. Tennyson Society, Tennyson Research Centre. 20 |
Textual Production | Queen Victoria | Dear and Honoured Lady: The Correspondence Between Queen Victoria
and Alfred Tennyson was published, edited by Hope Dyson
and Charles Tennyson
. British Books in Print. J. Whitaker and Sons. 1970 Victoria, Queen, and Alfred Tennyson. Dear and Honoured Lady: The Correspondence Between Queen Victoria and Alfred Tennyson. Editors Dyson, Hope and Charles Tennyson, Macmillan. |
Textual Production | Anne Thackeray Ritchie | ATR
's Reminiscences prefaced Alfred, Lord Tennyson
and His Friends, an elegant folio edition of photographs by her friend Julia Margaret Cameron
. Ritchie, Anne Thackeray et al. “Reminiscences”. Alfred, Lord Tennyson and His Friends, T. Fisher Unwin. |
Textual Production | Anne Thackeray Ritchie | ATR
published Records of Tennyson
, Ruskin
, and Browning (which also covers Elizabeth Barrett Browning
). Gérin, Winifred. Anne Thackeray Ritchie: A Biography. Oxford University Press. 224 |
Textual Production | Mary Boyle | Sometime after 1864 MB
worked together with Tennyson
, Landor
, and Wordsworth
in a miscellany encouraged by Lord Northampton
(brother of her friend Lady Marian Alford, and son of the remarkable poet Margaret, Lady Northampton |
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