Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Emily Faithfull | The novel brings together the fashionable upper-class society which EF
had experienced in her youth, with the question of women's employment which was the burning issue of her working life. She acknowledges the work of... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
infused a touch of poetry more literally by frequent allusion to works by Tennyson
, including Mariana, The Deserted House, and The Lotos-Eaters. Her trademark use of other authors' texts as... |
Intertextuality and Influence | Emily Hickey | Before she was twenty EH
discovered the work of Elizabeth Barrett Browning
and Alfred Tennyson
, which inspired her to begin composing narrative poems. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research, 1999. 199: 168 |
Intertextuality and Influence | B. M. Croker | |
Intertextuality and Influence | Alice Meynell | AM
's associations with Aubrey de Vere
, Patmore
, and Meredith
were mutually beneficial. She shared with these poet-mentors the passion and facility for metrical and verbal analysis. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 19 |
Intertextuality and Influence | Alice Oswald | Like Alfred Tennyson
's poem of the same title seventy years before, this one concerns the character in Greek mythology who received the gift of eternal life with no accompanying grant of eternal youth, and... |
Intertextuality and Influence | Mary Elizabeth Braddon | The paired heroines of The Lady's Mile each tread close to being seduced across that camouflaged barrier after each has, for quite different reasons, entered a loveless marriage. The beautiful, aristocratic, and noble but impoverished... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Maggie Gee | MG
was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea
Handwriting Competition (which despite its name must, she says, have disregarded writing... |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Intertextuality and Influence | Anne Thackeray Ritchie | The novel opens with a lie by the heroine's selfish mother, who thereby diverts a marriage proposal from her daughter's suitor Sir John Dampier, for whom the mother herself has a mad fancy Ritchie, Anne Thackeray. The Story of Elizabeth. B. Tauchnitz, 1863. 16 |
Intertextuality and Influence | Maggie Gee | Her central figure, Alfred White, a park-keeper in a London borough based on that of Brent, is an old-fashioned ex-soldier who combines integrity, compassion, and intense pride in his job, with a violent temper... |
Intertextuality and Influence | Charlotte Eliza Humphry | In the preface, CEH
explains that her Manners for Women was met with such a kindly reception that I am encouraged to follow it up with the present little volume. Humphry, Charlotte Eliza. A Word to Women. James Bowden, 1898. preface |
Intertextuality and Influence | Anne Thackeray Ritchie | Her friend Tennyson
became a literary mentor after the death of her father, and helped her with the ending of The Village on the Cliff. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 155 |
Intertextuality and Influence | Julia Frankau | Stephen Lock
suggests in his introduction to the 1989 reprint that this novel is à clef: that JF
's Phillips (whose name, before the publisher suggested a change, was Dr Abrams) was modelled on Ernest Abraham Hart |
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