Watts, Susanna. The Humming Bird. I. Cockshaw.
34
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Susanna Watts | SW
takes steps to prevent the cause of slavery entirely dominating her work, which, she announces, it will be devoted to the cause of suffering animals as well as to that of suffering men. Watts, Susanna. The Humming Bird. I. Cockshaw. 34 |
Theme or Topic Treated in Text | Susanna Watts | This includes poems on Elizabeth Heyrick
, William Cowper
, and Sir Walter Scott
, A Prayer: for the Slaves, Delicacy: Inscribed to the Ladies, several of natural description, and yet others on... |
Textual Features | Susanna Watts | Ephemera of all kinds have been bound in: family anecdotes, a letter of William Cowper
of 1788, a Hindu Primer (or alphabet), a railway ticket of 1839, women's parliamentary petitions against slavery of 1833 (one... |
Theme or Topic Treated in Text | Doreen Wallace | DW
does not write as a promoter. To her the Fens as a whole—including the Norfolk marsh-land—are dismally uninspiring from a scenic point of view. Wallace, Doreen. East Anglia. Batsford. 71 |
Textual Production | Elizabeth Thomas | Thomas
mentioned three of her previous books on the title-page along with her pseudonym, as had become her custom. She quotes Cowper
on her title-page; contrary to her previous practice, she supplies no citations for... |
Intertextuality and Influence | Tabitha Tenney | Neither the Cumberland episode, nor her father's death, nor her own serious illness brought on by grief, can change Dorcasina. She next fancies that a new servant, John Brown, is a lover in disguise. (The... |
Literary responses | Jane Taylor | The Critical Review, quoting several poems in full, equally approved JT
's lively facility and her graver moral style, Critical Review. W. Simpkin and R. Marshall. 5th ser. 4 (1816): 269 |
Education | Anna Swanwick | |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Friends, Associates | Charlotte Smith | On a month-long visit to William Hayley
, CS
met the poet Cowper
, his friend Mary Unwin
, and the painter George Romney
. Hilbish, Florence. Charlotte Smith, Poet and Novelist. University of Pennsylvania Press. 155-7 |
Dedications | Charlotte Smith | It carried a dedication, dated 10 May, to Cowper
, who had read and revised a draft. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 195-6 |
Material Conditions of Writing | Charlotte Smith | She wrote The Old Manor House while staying with a congenial group of friends (including Cowper
, William Hayley
, and George Romney
). The latter reported, in awed tones, that she would write a... |
Textual Features | Lydia Howard Sigourney | An expanded edition as Select Poems, 1845, includes To a Shred of Linen, not a lyric but a poem in blank verse which dramatises through different voices the paradoxes inherent in combining the... |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Friends, Associates | Mary Scott | MS
was probably a friend from an early age of the dissenting hymn-writer Anne Steele
, who lived not very far away and who was a generation older. They spent much time together in 1773... |