Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Patricia Beer | PB
produces a cryptic comment on the popular notion of literary androgyny in Transvestism in the Novels of Charlotte Brontë. Belatedly, she says, she has realised that the most important question in the novels... |
Intertextuality and Influence | Elizabeth Taylor | Palladian presents a thick weave of literary allusions. Beauman, Nicola. The Other Elizabeth Taylor. Persephone Books, 2009. 161-2 Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 10 |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus, 1967. 4 |
Intertextuality and Influence | Henry James | Ann Radcliffe
's The Mysteries of Udolpho and Charlotte Brontë
's Jane Eyre have been cited as possible sources. Gale, Robert L. A Henry James Encyclopedia. Greenwood, 1989. 682 |
Intertextuality and Influence | Annie Keary | In this book a little girl who gets hold of Brontë
's Jane Eyre from the adult shelves and reads it in secret is felt to be doing a very unsuitable as well as a... |
Intertextuality and Influence | Karen Gershon | This is a book about Inge's loves: her lost, buried love for her parents, her all-consuming love for her brother (to whom she feels deeply, inherently inferior), her love for baby Georgie (who, after they... |
Intertextuality and Influence | Stella Gibbons | SG
's characters are amusing caricatures of socialites, intellectuals, and rustics. Flora's city friend, the modern young widow Mrs Smiling, for instance, has a large collection of suitors and an even larger collection of brassières... |
Intertextuality and Influence | E. Nesbit | EN
writes more of female sexuality in this novel than anywhere else, using images of imprisonment to express her sense of what it meant to be a woman in a world dominated by men. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987. 192 |
Intertextuality and Influence | Ada Cambridge | The Author's Introduction is followed by one hundred short poems divided into two sections, which variously treat the central themes of mortality, impermanence, or the saving grace of Christianity. The poems are predominantly but not... |
Intertextuality and Influence | Dinah Mulock Craik | This novel is influenced by Charlotte Brontë
's Jane Eyre, and like much of DMC
's fiction it makes frequent allusion to a wide range of romantic and Victorian poets. Like Jane Eyre, its... |
Intertextuality and Influence | U. A. Fanthorpe | With this volume, says UAF
, I entered the different world of S. Martin's, Lancaster, and of France; and I was just beginning to have things to say about the condition of women... |
Intertextuality and Influence | Mary Ann Kelty | She goes on to quote Johnson
, Cowper
, Emerson
(with whose thought she engages in some detail), and many other canonical names. Among women she quotes from Mary Bosanquet Fletcher
(a passage about communion... |
Intertextuality and Influence | Florence Nightingale | Her critique of the Victorian family may have been inspired by Caroline Helstone's plight in Charlotte Brontë
's Shirley. Webb, Val. Florence Nightingale: The Making of a Radical Theologian. Chalice, 2002. 77 |
Intertextuality and Influence | Rosa Nouchette Carey | In an interview of 1893, Helen C. Black
described RNC
as tall, slender, and erect with large blue-grey eyes with long lashes,soft dark hair, and a low, tuneful voice. Black, Helen C. Notable Women Authors of the Day. Maclaren, 1906. 147-8 |
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