Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Health | Emily Brontë | EB
apparently had a very independent character. In a famous incident related to Elizabeth Gaskell
by Charlotte
, Emily tried to help a possibly rabid dog, only to have it bite her. She immediately went... |
Intertextuality and Influence | May Sinclair | MS
's The Three Sisters appeared: a psychological/psychoanalytical novel which, although the sisters in question are not the BrontësEmily BrontëAnne Brontë
, seems to take its setting from that of their lives. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973. 108, 225-6 |
Intertextuality and Influence | Sarah Waters | As a child SW
loved writing poems and stories, all entirely derivative from her reading of popular books like the Dr Who novelizations. In the sixth form at school she began to find the study... |
Intertextuality and Influence | Beatrice Harraden | The child protagonist of Things Will Take a Turn, Rose (always called either Childie or Rosebud), has a grandfather who runs an unprofitable second-hand bookshop. She has read a lot and has (as well... |
Intertextuality and Influence | Anne Brontë | Critic Elizabeth Langland credits AB
's first novel as one of the first by a woman to tell a humble, domestic story and to discover the techniques by which it could win an audience. The... |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Louisa May Alcott | |
Intertextuality and Influence | Sarah Waters | SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting... |
Intertextuality and Influence | Jean Rhys | JR
's Wide Sargasso Sea is a prequel to Jane Eyre; it presents a significantly different perspective on the characters met in Brontë
's novel. The character Jane Eyre never appears at all, and... |
Intertextuality and Influence | Barbara Cartland | Exploiting the style of Charlotte Brontë
's Jane Eyre, BC
published a novel entitled The Poor Governess. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Intertextuality and Influence | Julia Frankau | This tie broadens the social scope of the novel. Karl is Jewish but not an observant Jew. He wishes he could believe in Christianity for its redeeming message and wants to extend that choice to... |
Intertextuality and Influence | Julia Kavanagh | Two years before Nathalie appeared, JK
had told Charlotte Brontë
that Jane Eyrehad been to her a suggestive book. Reporting this, Brontë added, and I know that suggestive books are valuable to authors. Wise, Thomas J., editor. The Brontës. Porcupine Press, 1980, 4 vols. II: 182 |
Intertextuality and Influence | Michèle Roberts | The title story uses mud or muddy almost thirty times. MR
writes, as always, as a feminist; these stories occupy a borderline between the self-making of women and their appropriation into patriarchal stories. She enjoys... |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Susan Hill | This novel moves deeper into the spare but striking presentation of childhood cruelty and suffering. Edmund Hooper, whose mother is dead, lives alone with his father in a gloomy and lonely house on the outskirts... |
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