Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Health | Dora Carrington | Carrington attempted to give herself a miscarriage by riding a horse violently, and when this did not work she became depressed to a nearly suicidal degree. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray, 1989. 271-2 |
Intertextuality and Influence | Anne Brontë | Critic Elizabeth Langland credits AB
's first novel as one of the first by a woman to tell a humble, domestic story and to discover the techniques by which it could win an audience. The... |
Intertextuality and Influence | Louisa May Alcott | |
Intertextuality and Influence | Sarah Waters | SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting... |
Intertextuality and Influence | Jean Rhys | JR
's Wide Sargasso Sea is a prequel to Jane Eyre; it presents a significantly different perspective on the characters met in Brontë
's novel. The character Jane Eyre never appears at all, and... |
Intertextuality and Influence | Beatrice Harraden | The child protagonist of Things Will Take a Turn, Rose (always called either Childie or Rosebud), has a grandfather who runs an unprofitable second-hand bookshop. She has read a lot and has (as well... |
Intertextuality and Influence | Barbara Cartland | Exploiting the style of Charlotte Brontë
's Jane Eyre, BC
published a novel entitled The Poor Governess. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Intertextuality and Influence | Julia Frankau | This tie broadens the social scope of the novel. Karl is Jewish but not an observant Jew. He wishes he could believe in Christianity for its redeeming message and wants to extend that choice to... |
Intertextuality and Influence | Julia Kavanagh | Two years before Nathalie appeared, JK
had told Charlotte Brontë
that Jane Eyrehad been to her a suggestive book. Reporting this, Brontë added, and I know that suggestive books are valuable to authors. Wise, Thomas J., editor. The Brontës. Porcupine Press, 1980, 4 vols. II: 182 |
Intertextuality and Influence | Harriet Martineau | Charlotte Brontë
's publisher, Smith, Elder and Co.
, rejected HM
's pro-Catholic
novel entitled Oliver Weld, which Charlotte had persuaded her friend to write because of her admiration for Deerbrook. Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago, 1983, 2 vols. 2: 382 Barker, Juliet. The Brontës. St Martin’s Press, 1994. 692 |
Intertextuality and Influence | Michèle Roberts | The title story uses mud or muddy almost thirty times. MR
writes, as always, as a feminist; these stories occupy a borderline between the self-making of women and their appropriation into patriarchal stories. She enjoys... |
Intertextuality and Influence | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, Apr. 2007, pp. 46-8. 48 |
Intertextuality and Influence | Michèle Roberts | MR
claims to have been astonished when she found she had written a bloody corpse in the opening chapter again! qtd. in Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, 2004, pp. 119-34. 123 |
Intertextuality and Influence | Barbara Pym | |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
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