William Blake

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Standard Name: Blake, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Edith Mary Moore
The title-page quotes from Shakespeare (What's past is Prologue) and Cicero (That cannot be said too often which is not yet understood).
Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935.
prelims
The chapters run from Women and the Struggle...
Intertextuality and Influence Antonia White
The title is from The Gates of Paradise by William Blake , which describes the unnameable God as The lost traveller's dream under the hill.
Partington, Angela, editor. The Oxford Dictionary of Quotations. 4th, revised, Oxford University Press, 1996.
Intertextuality and Influence Ann Oakley
A Note about the Title explains what she means by Jerusalem: a land we aspire to live in, regardless of the fact that we're unlikely to even make it.
Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell, 1986.
prelims
AO describes the importance of...
Intertextuality and Influence Rebecca West
The book is dedicated to her elder sister, Letitia Fairfield . Its title comes from Blake 's Proverbs of Hell in The Marriage of Heaven and Hell, quoted on the title page: The cistern...
Intertextuality and Influence Sylvia Kantaris
The final spin is represented by 8 Home-Computer Terminal, which concludes with a startling evocation of Blake : Rose, thou art sick; a fatal error bugs thy memory banks.SK 's website demonstrates (as...
Intertextuality and Influence Judith Kazantzis
Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis would address non-human beings as brothers. JK writes...
Intertextuality and Influence Marie Corelli
R. B. Kershner, Jr. (a James Joyce scholar) points out that Joyce read The Sorrows of Satan in 1905 and that the novel has a number of elements that [he] adapts to the form and...
Intertextuality and Influence Katharine Tynan
KT stays with Irish mythology in The Fairy Babe, about a mother whose baby has been replaced by fairies with a changeling child. She figures Ireland in the body of the generous Kathleen who...
Intertextuality and Influence Anna Letitia Barbauld
Literary admirers of the hymns included Hannah More , Anna Seward , and Elizabeth Carter , who found some passages amazingly sublime.
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008.
193
The innumerable children who loved and later remembered them included Mary Anne Schimmelpenninck
Intertextuality and Influence Mary Ann Kelty
Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)...
Intertextuality and Influence Sophia King
The contents are part new, part reprinted. SK notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in...
Intertextuality and Influence Katharine Tynan
Again, the title of this volume recalls Blake : his Songs of Innocence and Experience, which appeared by 1794 incorporating the contents of the earlier Songs of Innocence.
Leisure and Society Mary Brunton
As tourists MB and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended...
Leisure and Society A. S. Byatt
ASB later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake . One of her seminal experiences...
Leisure and Society Mary Elizabeth Coleridge
She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake , Turner , and the more contemporary Renoir , and Monet ). She also regularly attended the theatre.
Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, 1910, pp. 1 - 44; various pages.
33
Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable, –Apr. 1910.
245, 252-56

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