Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, 1999, p. i - xxix.
xxxvii
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Maria Callcott | In Rome they got to know the painter Charles Eastlake
, and through him other artists, such as John Jackson
and J. W. M. Turner
. MC
's developing interest in the pre-Renaissance art of... |
Friends, Associates | Mary Augusta Ward | During this time MAW
led a full social life: she and her husband held up to three dinner parties a week during the London season, and her Thursday afternoon salon became immensely popular with the... |
Friends, Associates | Elizabeth Rigby | In London, she met theCarlyles
and John Gibson Lockhart
's daughter Charlotte
. She was also introduced to her future husband, Charles Eastlake
. She called on Agnes Strickland
and Maria Edgeworth
. Lord Shaftesbury |
Friends, Associates | Amelia Opie | She had already begun to move in fashionable circles, and became friendly with Lady Caroline Lamb
, Lady Cork
, and painters James Northcote
and Sir Joshua Reynolds
. Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, 1999, p. i - xxix. xxxvii |
Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, 1910, pp. 1 - 44; various pages. 33 Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable, –Apr. 1910. 245, 252-56 |
Occupation | John Ruskin | Having begun to publish in the 1830s, when he became a champion of J. W. Turner
against established styles of painting, JR
made his name and created a sensation with the appearance of the first... |
Publishing | Mary Russell Mitford | MRM
advised an artist named George Baxter
on scenes to engrave as woodcuts for a Whittaker
edition of Our Village, probably 1835. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 2: 157 |
Publishing | Marie Corelli | MC
published The Devil's Motor, a novel with illustrations supplied by artist Arthur Severn
, whom she thought of as a second Turner. Kowalczyk, Richard L. “Marie Corelli and Arthur Severn’s Reputation as an Artist”. Modern Philology, Vol. 66 , 1969, pp. 322-7. 322 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 456 (6 October 1910): 367 |
Reception | Elizabeth Jennings | Nicholas Lezard used this collection as an opportunity to celebrate Jennings's many registers and many modes. These, he notes, run from the deceptively simple, Wendy-Cope
-like account of a child's disappointment that Piccadilly Circus had... |
Textual Features | Rosamund Marriott Watson | Another poem here, The Quern of the Giants, reworks the Icelandic legend of Fenia and Menia, two giant sisters forced into turning millstones for King Frodi. Their endless work greatly benefits their captor until... |
Theme or Topic Treated in Text | Elizabeth Jennings | She includes poems for poets, artists, and thinkers: George Herbert
, Charles Causley
, Philip Larkin
, J. M. W. Turner
, Caravaggio
, Chardin
, Goya
, Hume
, and Descartes
. A sequence... |
No bibliographical results available.