Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Ann Batten Cristall | The preface expresses admiration for both Burns
and George Dyer
. ABC
stresses her lack of education (which, critic Richard C. Sha
argues, associates herself with lower-class writers like William Blake
and Henry Kirke White |
Textual Features | Elizabeth Bishop | The volume reproduces in facsimile no fewer than sixteen drafts of one of EB
's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker. White, Gillian. “Awful but Cheerful”. London Review of Books, 25 May 2006, pp. 8-10. 10 |
Textual Features | Kathleen Raine | |
Textual Features | Mary Elizabeth Coleridge | MEC
's poems have been likened, for their mysterious tone, to those of William Blake
. Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is... |
Textual Production | Kathleen Raine | KR
published Blake and Tradition, a major two-volume critical study of symbolism and mythology in the works of William Blake
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983. 20: 288, 291 |
Textual Production | Ann Batten Cristall | The publisher Joseph Johnson
issued by subscription ABC
's Poetical Sketches: an important text in women's Romanticism. Her title was the same as that of William Blake
's first publication, 1783. Critic Richard C. Sha |
Textual Production | Kathleen Raine | KR
published Blake and the New Age, lectures and essays on William Blake
written after 1969. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983. 20: 289, 291 |
Textual Production | Katharine Tynan | In this dedication she was taking a stand against the position of her own party, the Irish Nationalists, who had called for Wyndham's resignation (tendered in March this year) from his position as Chief Secretary... |
Textual Production | Kathleen Raine | KR
's The Human Face of God: William Blake
and the Book of Job was a critical work in which she considered good and evil in Blake's Job engravings and his works in general. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983. 20: 289 |
Textual Production | Kathleen Raine | KR
published her final critical work, Golgonooza, City of Imagination: Last Studies in William Blake. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Helen Dunmore | HD
published a novel entitled Burning Bright (whose title comes from Blake
's lines about the tiger). Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Joanna Trollope | From this time on, JT
sometimes published a new book as Caroline Harvey, and sometimes reassigned to her pseudonym works first issued under her own name. Leaves from the Valley, for instance (whose... |
Textual Production | Eleanor Farjeon | The title is a quotation from William Blake
's Introduction to Songs of Experience. This poem begins, Hear the voice of the Bard! and concludes, The starry floor, / The wat'ry shore, / Is... |
Textual Production | Kathleen Raine | Early in her career KR
was known as a commentator on contemporary or near-contemporary, modernist poetry: a volume of her reviews written between January 1941 and March 1951 was published in 2002 as Defining the... |
Textual Production | Marghanita Laski | ML
dedicated this novel to her son Jonathan. She took her title from Blake
's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak... |
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