Smedley, Constance. Justice Walk. G. Allen and Unwin.
136, 249
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
Intertextuality and Influence | Constance Smedley | By now Samuel is changing. He likens Johanna to Blake
, whom she has quoted, though he has hitherto admired the balance and rationality of Addison
. Smedley, Constance. Justice Walk. G. Allen and Unwin. 136, 249 |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Sophia King | The contents are part new, part reprinted. SK
notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in... |
Intertextuality and Influence | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 193 |
Intertextuality and Influence | Katharine Tynan | KT
stays with Irish mythology in The Fairy Babe, about a mother whose baby has been replaced by fairies with a changeling child. She figures Ireland in the body of the generous Kathleen who... |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Intertextuality and Influence | Katharine Tynan | Again, the title of this volume recalls Blake
: his Songs of Innocence and Experience, which appeared by 1794 incorporating the contents of the earlier Songs of Innocence. |
Intertextuality and Influence | Rebecca West | The book is dedicated to her elder sister, Letitia Fairfield
. Its title comes from Blake
's Proverbs of Hell in The Marriage of Heaven and Hell, quoted on the title page: The cistern... |
Intertextuality and Influence | Antonia White | The title is from The Gates of Paradise by William Blake
, which describes the unnameable God as The lost traveller's dream under the hill. Partington, Angela, editor. The Oxford Dictionary of Quotations. Oxford University Press. |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages. 33 Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable. 245, 252-56 |
Leisure and Society | Mary Brunton | As tourists MB
and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended... |
Leisure and Society | A. S. Byatt | ASB
later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake
. One of her seminal experiences... |
No timeline events available.
No bibliographical results available.