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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Samuel Johnson
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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Heyrick | Both the title-page and the body of the work quote (unascribed) lines about social injustice spoken by Shakespeare
's King Lear (who has only just realised the rampant injustice of the world and of his... |
Intertextuality and Influence | Jane Loudon | In prose the opening tale, Julia de Clifford, presents a well-meaning but thoughtless and impulsive heroine who progresses from dressing up as a ghost to scare the servants, to plunging her lover into despair... |
Intertextuality and Influence | Medora Gordon Byron | The title-page quotes Milton
's Paradise Lost (There wanted yet the master-work); the preface quotes Samuel Johnson
saying that the novelist needs to have first-hand experience of the living world, but that... |
Intertextuality and Influence | Hannah More | HM
's prologue (invoking Samuel Johnson
as authority) presents domestic subject-matter as more relevant than the fate of empires. |
Intertextuality and Influence | Mary Whateley Darwall | Liberty borrows from Johnson
's newly-published Rasselas the idea of a happy confinement which is not happy. It laments the poet's lack of autonomy. Messenger, Ann. Woman and Poet in the Eighteenth Century: The Life of Mary Whateley Darwall (1738-1825). AMS Press, 1999. 24ff |
Intertextuality and Influence | Elizabeth Sarah Gooch | In this first publication ESG
stands on her dignity. She opens with a Johnson
ian aphorism (Some alleviation of our distresses is always derived from communication) Gooch, Elizabeth Sarah. An Appeal to the Public. G. Kearsley, 1788. prelims |
Intertextuality and Influence | Anna Eliza Bray | From an early age, AEB
admired Samuel Johnson
's style and adopted elements of his writing methods for her own career, such as keeping a journal of progress. Bray, Anna Eliza. “Introduction”. Autobiography of Anna Eliza Bray, edited by John A. Kempe, Chapman and Hall, 1884, pp. 1-36. 26 |
Intertextuality and Influence | Medora Gordon Byron | This novel turns on a favourite Byron theme: the contrast between domestic and fashionable life. It opens, Above five hundred cards had announced to the fashionable world that lady Cheveril would be at home. It... |
Intertextuality and Influence | Eliza Kirkham Mathews | The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft
, and its epigraphs to... |
Intertextuality and Influence | Elizabeth Sarah Gooch | ESG
quotes on her title-page from James Hammond
and early in her first volume from Samuel Johnson
(no book was ever spared out of tenderness to the author). qtd. in Gooch, Elizabeth Sarah. The Life of Mrs Gooch. Printed for the authoress and sold by C. and G. Kearsley, 1792, 3 vols. 1: 11 |
Intertextuality and Influence | A. Woodfin | She learns to condemn her parents' treatment of her when she boards in a family who deliberately favour the ugly, deformed one of their young twins, to redress the balance. She feels a great relief... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes from Spenser
, and the first chapter from Johnson
's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference... |
Intertextuality and Influence | Elizabeth Meeke | Harcourt's title-page quotes Samuel Johnson
. Its story opens in Switzerland, where the sixty-something merchant Mr Elton, travelling for the sake of his health, is saved from falling by a young man who... |
Intertextuality and Influence | Mary Ann Kelty | Again she supplies a paragraph (deliberately not doctrinal, but aiming at practical morality) for each evening of the whole year. For January the fifth, for instance, she quotes our great moralist Dr. Johnson saying that... |
Intertextuality and Influence | Anne Steele | Surviving prose by AS
includes miscellaneous as well as predominantly religious pieces. The Journey of Life, reminiscent of John Bunyan
's The Pilgrim's Progress or Samuel Johnson
's Vision of Theodore, opens with... |
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Texts
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