Armitage, Doris Mary. The Taylors of Ongar. W. Heffer and Sons, 1939.
172 and n1
Robert Browning
-
Standard Name: Browning, Robert
Used Form: Z
RB
wrote thirty-one books of poetry (excluding numerous collected editions) and became the most influential practitioner of the dramatic monologue in the Victorian period. He also wrote literary criticism and two plays that were staged. His poetry's conversational phrasing, challenging syntax, quotidian imagery, and philosophical preoccupations respond to romanticism and anticipate modernism. He has become one of the most prominent among canonical Victorian poets.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Jane Taylor | Robert Browning
's poem Rephan, he acknowledged, was suggested by Taylor's story entitled How It Strikes a Stranger. |
| Intertextuality and Influence | Isa Blagden | Agnes Tremorne is a fairly sentimental novel of art, misfortune, and romance set in Rome during the struggle for Italian independence in the 1830s. Agnes Tremorne—the novel's heroine and protagonist—is both a devoted nurse to... |
| Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
| Intertextuality and Influence | Sarah Flower Adams | Nearer, My God, to Thee, written when SFA
was only twenty-one, has often been misattributed to Harriet Beecher Stowe
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2024, 22 vols. plus supplements. |
| Intertextuality and Influence | Isa Blagden | A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India... |
| Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
| Intertextuality and Influence | Theodora Benson | Robert Browning
's poem to Emily Patmore
, the original angel in the house, is quoted at the head of the first chapter. Unlike TB
's first novel, this is a romance with a consummated... |
| Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
| Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
| Intertextuality and Influence | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? qtd. in Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. prelims |
| Intertextuality and Influence | Charlotte O'Conor Eccles | Some of her contributions are related (sometimes ironically or satirically related) to women's issues and the New Woman: Great Marriage Insurance Scheme, How Women Can Easily Make Provision for their Old Age... |
| Intertextuality and Influence | Emily Jane Pfeiffer | Her poem Any Husband to Many a Wife (whose title marks it as a response to Robert Browning
's Any Wife to Any Husband) is a sardonic comment on marital relations. The husband in... |
| Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
| Intertextuality and Influence | Felicia Hemans | Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong
in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L. |
| Intertextuality and Influence | Edna Lyall | In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is! qtd. in Lyall, Edna. The Autobiography of a Slander. New Edition, Longmans, Green and Co., 1888. 13 |
Timeline
No timeline events available.
Texts
No bibliographical results available.