Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, p. various pages.
230
Robert Browning
-
Standard Name: Browning, Robert
Used Form: Z
RB
wrote thirty-one books of poetry (excluding numerous collected editions) and became the most influential practitioner of the dramatic monologue in the Victorian period. He also wrote literary criticism and two plays that were staged. His poetry's conversational phrasing, challenging syntax, quotidian imagery, and philosophical preoccupations respond to romanticism and anticipate modernism. He has become one of the most prominent among canonical Victorian poets.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
| Intertextuality and Influence | Anne Thackeray Ritchie | Thoroughly plugged into the Victorian and Edwardian literary establishments, she used her influence to aid others, such as the American poet Virginia Vaughan
, whose philosophical poem New Era she helped to get reviewed. |
| Intertextuality and Influence | Charlotte O'Conor Eccles | Some of her contributions are related (sometimes ironically or satirically related) to women's issues and the New Woman: Great Marriage Insurance Scheme, How Women Can Easily Make Provision for their Old Age... |
| Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
| Intertextuality and Influence | Felicia Hemans | Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong
in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L. |
| Intertextuality and Influence | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin. 737 |
| Intertextuality and Influence | Emily Faithfull | The novel brings together the fashionable upper-class society which EF
had experienced in her youth, with the question of women's employment which was the burning issue of her working life. She acknowledges the work of... |
| Intertextuality and Influence | Edna Lyall | In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is! Lyall, Edna. The Autobiography of a Slander. Longmans, Green and Co. 13 |
| Intertextuality and Influence | Emily Jane Pfeiffer | Her poem Any Husband to Many a Wife (whose title marks it as a response to Robert Browning
's Any Wife to Any Husband) is a sardonic comment on marital relations. The husband in... |
| Intertextuality and Influence | Violet Fane | Another story, The True Story of a Midnight Murder, humorously details the late-night execution of a large mosquito. [F]or the first time in my life, the narrator admits, I knew that I, also, thirsted... |
| Intertextuality and Influence | Agnes Maule Machar | |
| Intertextuality and Influence | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? Stern, G. B. . And did he stop and speak to you?. Henry Regnery. prelims |
| Intertextuality and Influence | Elizabeth Barrett Browning | Shorter pieces here include many sonnets, the most striking and complex of which are perhaps the two dedicated to George Sand
that explore the apparent contradictions of gender and genius. To George Sand. A Desire... |
| Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
| Intertextuality and Influence | U. A. Fanthorpe | UAF
was anthologized by Adrian Barlow
in Calling Kindred: Poems from the English Speaking World, 1993. At Poetry International 2000, she chose Robert Browning
as her Presiding Spirit. Connolly, Sally. “Woolly whispers of the past”. Times Literary Supplement, p. 25. 25 |
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