Merrin, Jeredith. “The Ballad of Charlotte Mew”. Modern Philology, Vol.
95
, No. 2, 1997, pp. 200-17. 205
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | E. Nesbit | In calling most of her mature poems dramatic monologues (and invoking the name of Robert Browning
) EN
claims that they do not give an unmediated version of her own experience, though she admits to... |
Textual Features | Virginia Woolf | Flush is both the life-story of a dog and the life-story, obliquely told, of Elizabeth Barrett Browning
. Woolf accepts the version of the poet's life that was current at the time—of her as imprisoned... |
Textual Features | Charlotte Mew | Critic Jeredith Merrin
, following H. D.
, suggests that Robert Browning
's blank-verse, fictionalized confessions, Merrin, Jeredith. “The Ballad of Charlotte Mew”. Modern Philology, Vol. 95 , No. 2, 1997, pp. 200-17. 205 H. D.,. “Review of The Farmer’s Bride by Charlotte Mew”. The Egoist, Vol. 3 , No. 9, Sept. 1916, p. 135. |
Textual Features | Rosamund Marriott Watson | In addition to reviews, RMW
contributed sixteen signed poems, including one entitled The Lost Leader, which was published one week after his death in tribute to the poet William Ernest Henley
who had died... |
Textual Features | Carol Rumens | Her title comes from the opinion (propounded in the closing sequence, On the Spectrum) that people characterized by varying degrees and kinds of what is popularly called autism have a particular affinity with animals... |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Daphne Du Maurier | The first-person narrator, Philip Ashley, falls in love with the mysteriousRachel, widow of the cousin whose death he had set out to avenge. Indirectly, he causes Rachel's death.The novel is set in the nineteenth century... |
Textual Features | Christina Rossetti | Influences that manifested themselves somewhat later in CR
's career were those of fairy tales—Perrault
, Keightley
, and later Hans Christian Andersen
—and later poets including Robert
and Elizabeth Barrett Browning
, whom... |
Textual Production | Norah Lofts | In this text she examines the stories of Sarah and Hagar, Deborah and Jael, Delilah, Jezebel, and Esther, among others. Lofts takes as her epigraph a line from Robert Browning
's A Toccata of Galuppi's... |
Textual Production | Betty Miller | BM
published her life of Robert Browning
, in the event her last biography. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | A. Mary F. Robinson | |
Textual Production | Marie Belloc Lowndes | MBL
began early to publish short stories. In her diary she wrote that the first to see print was in a journal called Merry England (edited by Alice
and Wilfrid Meynell
from May 1883 to... |
Textual Production | Elizabeth Barrett Browning | She was also a prolific letter writer from a young age, and her early letters evince a linguistic confidence and liveliness of style that formed the foundation for a life-time of rich intellectual, social, and... |
Textual Production | Mary Russell Mitford | The editor of this second selection of Mitford's letters was Henry Chorley
. Her Correspondence with Charles Boner
and John Ruskin followed in 1914. R. Brimley Johnson
published another selection of her letters in 1925... |
Textual Production | May Crommelin | MC
quickly followed this with a second romance, My Love She's But a Lassie, Hurst and Blackett
, 1875, published by the author of Queenie, with |
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