Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, pp. 5-16.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | George Paston | Though this novel shares some terrain with Gissing
's New Grub Street, critic Margaret Stetz
finds that the two have little in common, since they take aim at very different aspects of the contemporary... |
Intertextuality and Influence | Mary Sewell | MS
wrote mainly in verse for a working-class audience with the intent of instilling moral virtues in her readers. She believed that children memorize poetry easily, and that their imaginations are cultivated and their intellects... |
Intertextuality and Influence | Susanna Blamire | Scholars have debated whether The Nun's Return to the World may have been seen by Byron
, and have influenced his poem The Prisoner of Chillon, published in June 1816. Since the eldest child... |
Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Sarah Wentworth Morton | The title-page quotes romantic, melancholy lines from Byron
's Childe Harold. Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, pp. 5-16. 12 |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
was encouraged to write from an early age, particularly by her mother. She would later recall how when she was eight and had just learned to write, her godfather bought her a beautiful brand... |
Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Intertextuality and Influence | Marie Corelli | Ziska is openly critical of the writings of Zola
, while praising those of Lord Byron
. It also condemns the hypocrisy and destruction of Western imperialism at the fin de siècle: We take possession... |
Intertextuality and Influence | Florence Dixie | The poem describes the pilgrimage abroad in which the child-author had followed in the footsteps of her dead mountaineer brother. Dixie, Florence. Waifs and Strays. Griffith, Farran, Okeden and Welsh. 9 |
Intertextuality and Influence | Elizabeth Ham | EH
writes without overall construction, jumping from one topic and one anecdote to another. By this means, however, she captures both the inconsequential flavour of a life lived without overall plan and at the whim... |
Intertextuality and Influence | Barbara Hofland | |
Intertextuality and Influence | Emily Brontë | Despite the slightness of her oeuvre and Wuthering Heights's initial lack of popularity, EB
emerged early as a major influence on other writers. Matthew Arnold
paid early tribute by comparing her to Byron
in... |
Intertextuality and Influence | Barbara Pym |
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