Douglass, Paul. “Playing Byron: Lady Caroline Lambs Glenarvon and the Music of Isaac Nathan”. European Romantic Review, Vol.
8
, 1997, pp. 1-24. 18
Connections Sort descending | Author name | Excerpt |
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Health | Margiad Evans | As a child of about three she had terrible nightmares about people (nuns) who were running away from something, on fire and dying. She had dreadful dreams again at about seventeen, and then a recurrent... |
Health | Lady Caroline Lamb | LCL
met with Byron
's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter. Douglass, Paul. “Playing Byron: Lady Caroline Lambs Glenarvon and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , 1997, pp. 1-24. 18 Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 192 |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon, 1844. xvi-xvii |
Intertextuality and Influence | Barbara Pym | |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley, 1845. title-page |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Intertextuality and Influence | Jane Welsh Carlyle | In her youth Jane Welsh composed verse translations from texts by Goethe
and Pierre Cardenal
, and of Chateaubriand
's Atala. She also wrote a number of original short poems; two of those that... |
Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright, 1819. 27 |
Intertextuality and Influence | Georgiana Chatterton | She headed her chapters with quotations which draw on European as well as English literature: Petrarch
, Byron
, Germaine de Staël
.In its early stages the book may read like a courtship novel (full... |
Intertextuality and Influence | Sarah Wentworth Morton | The title-page quotes romantic, melancholy lines from Byron
's Childe Harold. Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16. 12 |
Intertextuality and Influence | Selina Davenport | It opens with England, with all thy faults I love thee still!—a quotation not from Byron
's Beppo, which lay still two years in the future, but from Cowper
's The Task (whence... |
Intertextuality and Influence | Felicia Hemans | The volume cost nine shillings and sixpence, and when the edition of 1,000 sold out, FH
's share of the profits split with John Murray
was £66. According to recent editors of the text, the... |
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
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