George Gordon sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Marie Corelli
Ziska is openly critical of the writings of Zola , while praising those of Lord Byron . It also condemns the hypocrisy and destruction of Western imperialism at the fin de siècle: We take possession...
Intertextuality and Influence Florence Dixie
The poem describes the pilgrimage abroad in which the child-author had followed in the footsteps of her dead mountaineer brother.
Dixie, Florence. Waifs and Strays. Griffith, Farran, Okeden and Welsh, 1884.
9
His death, however, does not loom large in the poem, which combines musing with...
Intertextuality and Influence Barbara Hofland
The title-page quotes from Spenser , and the first chapter from Johnson 's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference...
Intertextuality and Influence Mary Elizabeth Braddon
MEB was encouraged to write from an early age, particularly by her mother. She would later recall how when she was eight and had just learned to write, her godfather bought her a beautiful brand...
Intertextuality and Influence Antonia Fraser
For readers familiar with the Shakespeare comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima...
Intertextuality and Influence Hélène Gingold
She said that some of the poems contained in this volume were written before the age of fifteen.
Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington, 1893.
The Season: A Cycle of Verse
She dedicated it to the memory of Lord Byron .
Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington, 1893.
New York Herald: A Cycle of Verse
Intertextuality and Influence Sarah Wentworth Morton
The title-page quotes romantic, melancholy lines from Byron 's Childe Harold.
Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16.
12
An Apology closing the volume speaks of SWM 's disappointments and distresses (which are often mentioned, though unspecified, in her work) especially...
Intertextuality and Influence Dinah Mulock Craik
Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley and Byron . But she foregoes...
Intertextuality and Influence Ann Hatton
The title-page quotes Milton and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare or Byron or attributed only...
Intertextuality and Influence Harriet Lee
This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray 's projected edition of the whole series. Byron recognised Kruitzner as...
Intertextuality and Influence Emily Brontë
Despite the slightness of her oeuvre and Wuthering Heights's initial lack of popularity, EB emerged early as a major influence on other writers. Matthew Arnold paid early tribute by comparing her to Byron in...
Intertextuality and Influence Louisa Anne Meredith
Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)...
Intertextuality and Influence Lady Caroline Lamb
The printed selection begins with girlhood letters to Georgiana, Duchess of Devonshire 's elder daughter. It goes on to include correspondence with friends and publishers, analyses of feelings and comments on the experience of pregnancy...
Intertextuality and Influence B. M. Croker
The title-page quotes Byron on the power of Fate. The heroine is not always pretty, nor is she always Miss Neville. The book opens in the voice of eleven-year-old Nora O'Neill, known as Miggs, generally...
Intertextuality and Influence Ann Hatton
The title-page quotes Ovid and the first chapter is headed by Byron . The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young...

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